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Albert Moulton Foweraker
Albert Moulton Foweraker RBA, Moonlight, Algeciras

c. 1929

$1,075.20List Price

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William Kay Blacklock ARCA, Continental Farmhouse In Summer
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This charming early 20th-century watercolour by eminent British artist William Kay Blacklock ARCA (1872-1924) depicts an elderly lady carrying a basket and parasol before a farmhouse...
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Edmond Albert Joseph Tyrel de Poix, Landscape With Pub & Signpost
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This charming 19th-century drawing by British artist Edmond Albert Joseph Tyrel de Poix (1840-1916) depicts a timber-framed public house, figures, horses and a leaning signpost. De ...
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Edmond Albert Joseph Tyrel de Poix, Landscape With Watermill, Mother & Child
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This charming 19th-century drawing by British artist Edmond Albert Joseph Tyrel de Poix (1840-1916) depicts a mother and child standing by a mill pond before a rustic watermill. De Poix was a gentleman artist descended from French nobility...
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Thomas Sidney Cooper RA, Cow & Sheep In A Landscape
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This charming mid-19th-century watercolour by British artist Thomas Sidney Cooper RA (1803-1902) depicts two sheep and a cow in a landscape. Cooper was a distinguished British painte...
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Amos Green, Near Ingleton, Yorkshire
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This fine early 19th-century watercolour by British artist Amos Green (1735-1807) depicts an asperous gorge near Ingleton in Yorkshire. On either side of a shallow river, trees clin...
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Early 1800s English School Landscape Drawings and Watercolors

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Paul Sandby Munn RWS, Mallevy, Merioneth, North Wales, Watercolour
Located in Cheltenham, GB
This early 19th-century watercolour by British artist Paul Sandby Munn RWS (1773-1845) depicts a riverside view at Mallevy in North Wales. Amid a hasty world where technology consumes our waking hours, few of us find the time to consider the subtle beauties of quiet watercolours. Yet, during the late 18th century, when Munn began producing his skillfully-rendered views, this style of drawing was considered an act of rebellion. Indeed, to such an extent that, together with several associates, Munn contributed to one of the most vital artistic circles in British history - the “Brothers” sketching club. Held every Saturday, the sketching club sought to raise the status of landscape watercolours from their lowly position as mere copies of nature. Fellow artists such as John Varley, Thomas Girtin and John Sell Cotman...
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