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Anne PopperwellRiverwash1985
1985
$1,400
£1,062.29
€1,214.63
CA$1,955.42
A$2,174.16
CHF 1,135.23
MX$26,464.84
NOK 14,485
SEK 13,571.76
DKK 9,065.02
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About the Item
This artwork titled "Riverwash" 1985 is an original watercolor on Arches watermarked paper by noted American artist Anne Popperwell, born 1948. It is signed at the lower right corner by the artist. The artwork size is 22 x 30 inches, framed is 28.25 x 36.25 inches. It is custom framed in a metal bronze color frame. It is in very good condition.
About the artist.
Anne Popperwell was born in Oakland, California, in 1948 and studied art at the San Francisco Art Institute from 1968-1970 with a major in painting and a minor in photography. She has been painting and exhibiting her work in both private and public galleries, primarily in Canada, since 1981. She paints in watercolour on paper and acrylic on canvas, though not exclusively, using nature-based imagery. Shortly after her arrival in Canada in 1976, Anne moved to an island off the West Coast to paint a particular landscape, the eroded sandstone shoreline. In the course of this eight-year series of paintings, she experimented with point of view, scale and colour, developing a method of working that creates the effect of light coming from within the subject itself. Her paintings are included in private, corporate and public collections in Canada and in private collections in the United States, Mexico and Europe.
Solo Exhibitions:
2016 "Shades of Saturna", Artlink Canada, Jaydon Gallery, Vancouver, British Columbia
2009 “Beauty” Casa Dahlia Galeria, San Jose del Cabo, Mexico
2008 “Tropical Flowers” Casa Dahlia Galeria, San Jose del Cabo, Mexico
996- "Why Don't You Just Leave?" paintings and video installation
1998 tour to 11 British Columbia regional galleries,
originating at the Art Gallery of Greater Victoria
Victoria, British Columbia
1993 Fran Willis Gallery, Victoria, British Columbia
1991 Fran Willis North Park Gallery, Victoria, British Columbia
1990 Fran Willis North Park Gallery, Victoria, British Columbia
1986 Robert Vanderleelie Gallery, Victoria, British Columbia
Thomas Gallery, Winnipeg, Manitoba
1984 Grace Gallery, Vancouver, British Columbia
Winchester Galleries, Victoria, British Columbia
1982 Kyle's Gallery, Victoria, British Columbia
1981 Kyle's Gallery, Victoria, British Columbia
Art Gallery of Greater Victoria, Victoria, British Columbia
Burnaby Art Gallery, Burnaby, British Columbi1980 Kamloops Public Art Gallery, Kamloops, British Columbia
Selected Group Exhibitions:
2014 Insight Art Gallery, Galiano, B.C
2012 The Field Gallery, San Jose del Cabo, Mexico
2002 “European Media Arts Festival”, Osnabruck, Germany
1997 “Open House”, Canadian Cultural Centre, Paris, France
1994 "Spring Run", Baux-Xi Gallery, Vancouver, British Columbia
1994-1996 Government House, Victoria, B.C.
1992 "Hanging Gardens", Fran Willis Gallery, Victoria, British Columbia
1990 "Bumbershoot Festival 1990", Seattle, Washington
1986 "Images B.C." The British Columbia Pavilion, Expo 86
Vancouver, British Columbia
1985 "Hot Water Colour", Harbourfront, Toronto, Ontario
"B.C. Women Artists"
Art Gallery of Greater Victoria, Victoria, British Columbia
1983 "National Watercolour Exhibition"
Contemporary Art Gallery, Vancouver, British Columbia
1981 “Painter’s Day”, Kyle’s Gallery, Victoria, B.C.
Public Collections
British Columbia Art Collection, Victoria, British Columbia
Art Gallery of Greater Victoria, Victoria, British Columbia
Maltwood Art Museum, Victoria, British Columbia
City of Vancouver, Vancouver, British Columbia
Esso Resources Canada, Ltd., Calgary, Alberta
Canada Council Art Bank, Ottawa, Ontario
Grants and Awards
1995 British Columbia Cultural Services Branch grant
1973 City of Vancouver Purchase Grant
Exhibition Reviews, Catalogues and Articles
"A Sense of Place", Aqua magazine, Salt Spring Island, B.C. (Summer 2014) illus.
“Why Don’t You Just Leave?”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (April, 1996) illus.
Cover, Preview Magazine, Vancouver, B.C., (May/June 1990)
Waterman, Jennifer A. “Planetary Visions, Sacred Images of the Earth” Herizons, Winnipeg, Manitoba (Volume 4 #8, December, 1986) p. 44, illus.
“B.C. Women Artists”,Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October, 1985) illus.
Orford, Emily Jane, “Anne Popperwell’s Intimate Earth”, Victoria Times-Colonist, Victoria, B.C. (October 7, 1984) p. 8
Hartog, Diana, “Body Landscapes”, Monday Magazine, Victoria, B.C. (October 28, 1982)
Hartog, Diana, “Drunk with the Particular”, Monday Magazine, Victoria, B.C. (January 23, 1981) p. 16
“Anne Popperwell”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October 1981) illus.
- Creator:Anne Popperwell (1948)
- Creation Year:1985
- Dimensions:Height: 28.25 in (71.76 cm)Width: 36.25 in (92.08 cm)Depth: 0.65 in (1.66 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: pop/riv/021stDibs: LU66633777931
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By Anne Popperwell
Located in San Francisco, CA
This artwork titled "San Flow" 1986 is an original watercolor on Arches watermarked paper by noted American artist Anne Popperwell, born 1948. It is signed at the lower right corner by the artist. The artwork size is 22 x 30 inches, framed is 30.25 x 36.25 inches. It is custom framed in a metal bronze color frame. It is in very good condition.
About the artist.
Anne Popperwell was born in Oakland, California, in 1948 and studied art at the San Francisco Art Institute from 1968-1970 with a major in painting and a minor in photography. She has been painting and exhibiting her work in both private and public galleries, primarily in Canada, since 1981. She paints in watercolour on paper and acrylic on canvas, though not exclusively, using nature-based imagery. Shortly after her arrival in Canada in 1976, Anne moved to an island off the West Coast to paint a particular landscape, the eroded sandstone shoreline. In the course of this eight-year series of paintings, she experimented with point of view, scale and colour, developing a method of working that creates the effect of light coming from within the subject itself. Her paintings are included in private, corporate and public collections in Canada and in private collections in the United States, Mexico and Europe.
Solo Exhibitions:
2016 "Shades of Saturna", Artlink Canada, Jaydon Gallery, Vancouver, British Columbia
2009 “Beauty” Casa Dahlia Galeria, San Jose del Cabo, Mexico
2008 “Tropical Flowers” Casa Dahlia Galeria, San Jose del Cabo, Mexico
996- "Why Don't You Just Leave?" paintings and video installation
1998 tour to 11 British Columbia regional galleries,
originating at the Art Gallery of Greater Victoria
Victoria, British Columbia
1993 Fran Willis Gallery, Victoria, British Columbia
1991 Fran Willis North Park Gallery, Victoria, British Columbia
1990 Fran Willis North Park Gallery, Victoria, British Columbia
1986 Robert Vanderleelie Gallery, Victoria, British Columbia
Thomas Gallery, Winnipeg, Manitoba
1984 Grace Gallery, Vancouver, British Columbia
Winchester Galleries, Victoria, British Columbia
1982 Kyle's Gallery, Victoria, British Columbia
1981 Kyle's Gallery, Victoria, British Columbia
Art Gallery of Greater Victoria, Victoria, British Columbia
Burnaby Art Gallery, Burnaby, British Columbi1980 Kamloops Public Art Gallery, Kamloops, British Columbia
Selected Group Exhibitions:
2014 Insight Art Gallery, Galiano, B.C
2012 The Field Gallery, San Jose del Cabo, Mexico
2002 “European Media Arts Festival”, Osnabruck, Germany
1997 “Open House”, Canadian Cultural Centre, Paris, France
1994 "Spring Run", Baux-Xi Gallery, Vancouver, British Columbia
1994-1996 Government House, Victoria, B.C.
1992 "Hanging Gardens", Fran Willis Gallery, Victoria, British Columbia
1990 "Bumbershoot Festival 1990", Seattle, Washington
1986 "Images B.C." The British Columbia Pavilion, Expo 86
Vancouver, British Columbia
1985 "Hot Water Colour", Harbourfront, Toronto, Ontario
"B.C. Women Artists"
Art Gallery of Greater Victoria, Victoria, British Columbia
1983 "National Watercolour Exhibition"
Contemporary Art Gallery, Vancouver, British Columbia
1981 “Painter’s Day”, Kyle’s Gallery, Victoria, B.C.
Public Collections
British Columbia Art Collection, Victoria, British Columbia
Art Gallery of Greater Victoria, Victoria, British Columbia
Maltwood Art Museum, Victoria, British Columbia
City of Vancouver, Vancouver, British Columbia
Esso Resources Canada, Ltd., Calgary, Alberta
Canada Council Art Bank, Ottawa, Ontario
Grants and Awards
1995 British Columbia Cultural Services Branch grant
1973 City of Vancouver Purchase Grant
Exhibition Reviews, Catalogues and Articles
"A Sense of Place", Aqua magazine, Salt Spring Island, B.C. (Summer 2014) illus.
“Why Don’t You Just Leave?”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (April, 1996) illus.
Cover, Preview Magazine, Vancouver, B.C., (May/June 1990)
Waterman, Jennifer A. “Planetary Visions, Sacred Images of the Earth” Herizons, Winnipeg, Manitoba (Volume 4 #8, December, 1986) p. 44, illus.
“B.C. Women Artists”,Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October, 1985) illus.
Orford, Emily Jane, “Anne Popperwell’s Intimate Earth”, Victoria Times-Colonist, Victoria, B.C. (October 7, 1984) p. 8
Hartog, Diana, “Body Landscapes...
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About the artist:
Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945.
Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance.
Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
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About the artist:
Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945.
Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance.
Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
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This artwork "Untitled #1" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 26.5 x 20.5 inches, sheet size is 28.5 x 22.5 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1.
About the artist:
Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945.
Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance.
Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
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