Edward C Prust

The Mappin Terraces, London Zoo, Mid 20th Century

1940

Gordon Noel Scott A.R.C.A 1914 - 2016 Street Scene Watercolour Image size: 14 x 10 ¼ inches (36 x 26cm) Contemporary style frame GORDON SCOTT EXHIBITION AT DARNLEY FINE ART 11th - 18th November 2017 Gordon Scott was trained at the RCA (1934-38) under Gilbert Spencer, Alan Sorrell and Charles Mahoney. A reserved and highly principled man, during WWII he was a conscientious objector, stationed at Bulford Camp on Salisbury Plain. His defined role is unknown, but during his time there he produced a number of sketches and paintings of soldiers...

Alice Headley Neave 1903 - 1977 Back Gardens Oil on canvas, signed lower left Image size: 19 x 15 inches Contemporary style frame The daughter of Dr Arthur Henry Headley Huckle, Alice was...

Watercolour on paper, signed and dated '1973' bottom left Image size: 12 1/2 x 9 1/2 inches (32 x 24 cm) Contemporary frame This is a wonderful watercolour of a winter landscape, with a country lane, frost-covered fields and an old farm building. As the artist has worked in his home county for much of his life, this is likely to be a view in rural Northamptonshire. Peter Newcombe...

Watercolour on paper, signed bottom right Image size: 8 x 10 1/4 inches (20.25 x 26 cm) Mounted and framed Charles Rebel Stanton served with the First Surrey Rifles in Northern France and Belgium during the First World War. Although Stanton was not an official war artist, his stirring watercolours document the devastation of towns and villages that he visited while on active military service The Artist Charles Rebel Stanton was born in Kentish Town, London, on 3 February 1887, the third of seven children of the book seller’s assistant, Charles Stanton, and his wife, Amelia (née Tate). At the time of the 1891 Census, the family was living at 22 Corinne Road, Islington. Nothing is known of Stanton’s education but, at the time of the 1901 Census, when he was 14 years old, he was working as a Science Assistant for the School Board of London, probably at a local school. By then, he and his family had moved to 121 South Street, Greenwich, and his father was working as a carpenter. In The Art of the RMS Queen Mary (1994), Douglas M Hinkey describes Stanton as ‘a painter trained as an architect’. While nothing is known of his architectural training, he is described as an ‘artist’ in the 1911 Census, which also records that he was still living with his family, which had moved to 53 Grosvenor Park SE, St Mary Newington. In the previous year, he had won second prize in the class for ‘pictorial art’ in a competition organised by the magazine, The Studio. Charles Stanton began his career as a commercial artist, designing posters and postcards and illustrating books, and signing his work ‘Charles R Stanton’. Commissions included a poster for the Fine Art Society that was general enough in its design to have been used to advertise any number of exhibitions (though the example that has come to light promoted ‘Water Colours of Flower Time...

Italian Scene, Pen and Ink with Wash Painting by Reginald Brill, 1950s circa Additional information: Medium: Pen and ink with wash 33 x 48.3 cm 13 x 19 in Reginald " Reggie" Brill was a versastile 20th century artist and teacher. Brill was born in London in 1902 and spent his early childhood there and in Yorkshire. By the time of the First World War, at the age of 13, he was living in lodgings in London, working in a City office and attending St Martins School of Art in the evenings. Considering his lack of education, winning a scholarship to The Slade (now part of University College London) in 1921 where he studied under Henry Tonks for three years, was a huge achievement. On leaving The Slade he found patronage in Lincolnshire, but by the time of the General Strike (1926) he had returned to London and was working on Lansbury's Labour Weekly. He married Rosalie, also an artist, and in 1927 won the Prix de Rome in Decorative Painting. Following two years at The British School in Rome, Brill went to teach at Blackheath School of Art. During 1930 he spent three months painting in Egypt and it was there that he met Col. T G Gayer-Anderson, one of the twin brothers who were to bequeath The Little Hall in Lavenham as a hostel for art students. It was there that Brill retired to act as warden, thus continuing his nurturing of art students until his death in 1972. Brill took up his appointment at The School of Art, Kingston upon Thames in January 1934. It was situated in the Technical Institute (Kingston Hall Road) and Brill found it bohemian and disorganised. He proceeded to inject enthusiasm, order and discipline. Within 5 years of his appointment a purpose-built School of Art was opened in Knights Park. It remained open throughout the war and by 1945 there was a waiting list for places. Under the skilled and totally dedicated direction of Brill, Kingston School of Art became established with national reputation for excellence. In 1961 Sir Charles Wheeler opened the new building at Knights Park. Costing £100,000, this more than doubled the size of the Art School. Brill, was a well-known figure in Kingston. His eloquence made him popular as a guest speaker and his promotion of Art and Design stretched well beyond the doors of Knights Park. Apart from establishing two of the main buildings which makeup what is now known as the Faculty of Design, one of the most visible local contributions he made was the setting up of a topographical collection of paintings depicting Kingston, which has since become known as The Brill Collection at Kingston Museum. Brill gained huge respect and admiration from the hundreds of pupils who studied at Kingston during his 30-year leadership. He published two books, Modern Painting 1946 and Art as a Career 1962, both bearing a strong educational angle. He regularly exhibited along with leading artists of his era at The Royal Academy, both his paintings and his acutely observed drawings. All the while he was a prolific artist, although reading his diaries, intensely self-critical. His perfectionism, acute powers of observation and relentless research can be seen in his drawings, which via the media and methods he explored throughout his life reflect mid 20th century British Art at its most typical. His major series of work, known as 'The Martyrdom of Man', was carried on in parallel to his career as a teacher. These paintings reflect his care for fellow man and depict people at work, e.g., The Operation, The Jury, Linemen, Waiting Room and Rest, which recently sold at Sotheby’s and was specially restored for The Brill Retrospective. His smaller works also play with the theme of everyday events and communication amongst people, such as The Bull Ring and Market Place paintings. Brill's name is associated particularly with human figure compositions, but he also worked on landscapes, portraits and details of plants, animals, interiors etc. As one would expect he moved from one media to another, and his unusual hand painted and cut paper mosaics...

This beautiful mid 20th century oil on canvas depicts a delightful view of two early Victorian period houses in summer. The plants and trees are in...

Landscape with Trees is an original artwork realized by Georges Henri Tribout in 1935 in Marac. Pencil Drawing, hand signed on the lower margin left and dated "Marac 1935" on the lef...

Town is a beautiful original painting (China ink and watercolor) on paper, realized in 1959 by the Italian artist Enrico Paolucci. Signed and dated in pencil on lower right margin. A joyful urban landscape realized with a naif style, the typical Paolucci's style, and a very rapid watercolored painting. In excellent condition, except for minor defect on the edges. Enrico Paulucci born Paolucci Delle Roncole (Genoa, 1901 - Turin, 1999) The Italian painter, Enrico Paulucci is remembered as a member of the Group of Six of Turin. In the years 1927-1928 he began to attend the most famous painters of the Turin area and became friends with Felice Casorati, and then with Lionello Venturi and Edoardo Persico. In 1928 he moved to Paris, where he deepened his knowledge of French painting, from Impressionism onwards, and became interested in the work of Pablo Picasso, Henri Matisse, Raoul Dufy, and Georges Braque. In 1929 he returned to Turin, where he joined his friends Gigi Chessa, Carlo Levi, Nicola Galante, Francesco Menzio...