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Emile LejeuneFrench Naturalistic Landscape Study in Pencil
$850
£645.43
€738.09
CA$1,187.57
A$1,320.84
CHF 689.70
MX$16,073.23
NOK 8,808.55
SEK 8,260.86
DKK 5,508.66
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About the Item
Landscape study of a French town on a mountain top. The work is signed and stamped by the artist. The paper is not framed.
Many others are available. Please inquire to buy the entire collection.
Artist Biography: Emile Lejeune was a painter form Geneva. He moved to Paris and opened up his studio at 6 rue Huyghens in Montparnasse where a range of events was held at including concerts by the group known as Les Six, exhibitions, including an exhibition of African art organized by Paul Guillaume, and poetry readings, particularly by Apollinaire and Cocteau. After visiting Provence, Emile Lejeune finally decided, in 1922, to move to Cagnes with his family. Both Soutine’s portraits of Lejeune date from this period, either before Lejeune left Paris, or just after he had moved. He was influenced by artists like Amedeo Modigliani and Claude Monet.
- Creator:Emile Lejeune (1885 - 1964)
- Dimensions:Height: 8.32 in (21.14 cm)Width: 10.63 in (27.01 cm)Depth: 0.004 in (0.11 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Wear is consistent with age. There are some tears and missing pieces on the edges of the paper.
- Gallery Location:Houston, TX
- Reference Number:Seller: CA44.2019.1016.14251stDibs: LU55135148942
Emile Lejeune
Emile Lejeune was a painter from Geneva. He moved to Paris and opened up his studio at 6 rue Huyghens in Montparnasse, where a range of events was held at including, concerts by the group known as Les Six, including an exhibition of African art organized by Paul Guillaume, and poetry readings, particularly by Apollinaire and Cocteau. After visiting Provence, Emile Lejeune finally decided, in 1922, to move to Cagnes with his family. Both Soutine’s portraits of Lejeune date from this period, either before Lejeune left Paris, or just after he had moved. He was influenced by artists like Amedeo Modigliani and Claude Monet.
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