Ewart Johns

Ewart Johns (1923-2013) - Large 1978 Pastel, Car Roof and Buildings

1978

A colourful and eye-catching pastel drawing of a quiet Cul-de-Sac by British artist Gerald Pitchforth. Presented in a long and narrow 20th century frame. Signed. On paper.

This striking large-scale abstract study depicts flashes of blue, white and red pastel lines against a black wash background. Signed and dated to the lower right. Presented in a cont...

Captured in soft chalk pastel, this intriguing scene depicts Carnbee Church in the Scottish village of Anstruther. The artist has signed and dated the...

A wonderful celebration of Britishness in this 1977 study of a street party table for the Queen's Silver Jubilee. Well presented in a simple wood frame. Signed and inscribed to the r...

Landscape is an original pastel drawing realized by Ottaviano del Turco in 1986, hand-signed and dated in pencil on the margin on the right. In excellent conditions. Sheet dimensio...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

“Two Points of View” Original Pastel Drawing, c. 1997 This pastel drawing shows the artist’s command of perspective in landscape and architecture. An impressive lodge stands strong ...

Cityscape is a Pencil Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition, except for some spots on paper. No signature. Reynold Arnould was born in...