Gustav Wilhelm Palm

Narni Landscape Drawing

1845

View of the Ariccia Bridge and the Alban Hills This finely executed plein air landscape depicts the monumental bridge of Ariccia and the town with the surrounding Alban Hills, painted by German landscape artist Joachim Ludwig Heinrich Daniel Bünsow (born 1821 in Kiel, died 1910 in the same city). Executed in oil on paper mounted on cardboard, the work dates from his Italian period between 1853 and 1858. Not signed. Bünsow received his artistic training at the Royal Danish Academy of Fine Arts in Copenhagen from 1839 to 1848, studying under Johann Ludwig Lund and Christoffer Wilhelm Eckersberg. In 1844, the Copenhagen Art Association acquired his painting "Tellingstedt in Dithmarschen." Following his studies, he traveled to Dresden, where he became associated with the circle around Johan Christian Dahl. A scholarship from the Copenhagen Academy enabled Bünsow to reside in Rome from 1853 to 1858. During this period, his landscapes evolved from the finely toned, naturalistic style of his early work to more atmospheric and idealized compositions, influenced by Louis Gurlitt. Bünsow's early works from his time in Copenhagen are characterized by fine tonality and naturalistic rendering, reflecting the style of his teacher Christoffer Wilhelm Eckersberg. His Italian landscapes, however, exhibit a more atmospheric and idealized approach, influenced by Louis Gurlitt. Notably, Bünsow produced high-quality drawings during his time in Rome, some of which are preserved in the Kunsthalle zu Kiel. Historical Context: The Ariccia Bridge In the early 19th century, the local authorities sought to improve the Appian Way's safety and accessibility. The solution involved constructing bridges to span the Ariccia valley and adjacent ravines. In 1843, Pope Gregory XVI commissioned a six-arched bridge to address the elevation differences. Following his death in 1846, Pope Pius IX continued the project, entrusting architect Ireneo Aleandri with the design and Giuseppe Bertolini with the execution. Completed in 1854, the bridge stands as a significant 19th-century engineering achievement. Featuring three tiers of elegant neoclassical arches inspired by Roman art, it measures 59 meters in height and 312 meters in length. Travertine columns at both ends commemorate the Roman milestones...

A fine small plein air study of three women picking flowers on the meadow next to white cliffs and sea. In the horizon where the sky ends, the contours of mainland is visible as a sh...

A quiet mountain winter landscape called "Winter road" or as it is written on the back in Swedish "Vinterväg" and “Vinterlandskap from Granberget at Rämen, Värmland", Gran-mountain ...

Mountainous Landscape with a Stone Bridge (1856) This painting by Austrian artist Richard Maerz (1810–1871) depicts a dramatic mountainous landscape. A stone bridge arches high above...

Roman countryside is an original modern artwork realized by Robert Werner in the early 20th Century. Mixed colored ink and watercolor on paper. Hand signed on the lower margin. In...

Great early John William Guerin landscape drawing of a field and mountains in nice vintage condition from the 1960s. Signed by artist in bottom right corner. Dimensions Without Fram...

Landscape is a pen cil drawing realized by Augusto Monari in the Early-20th Century. Signed lower right. Good conditions. The artwork is depicted th...

The antique Italian drawing in pen-and-ink and wash pictures a landscape of a stone bridge, archway, trees and people in the Renaissance style. The drawing is set within a two-tone d...