Harold Bailey

Harold Bailey - Early 20th Century Watercolour, Wroxton Village

Unknown

A wonderful watercolour depiction of 19th Century rural life. The scene shows a mother and daughter returning to their hamlet down a dirt path, a small pond with geese to the left an...

A beautiful watercolour of English country cottages. Presented in a cream double mount. Signed to the lower-right edge. On wove.

Artist: Maud Hollyer (English, 1867-1910) Title: "Cotswold Village, England" *Signed by Hollyer lower left Circa: 1900 Medium: Original Watercolor on paper Framing: Not framed, but beautifully matted with hand decorated archival French matting...

We acquired a series of paintings from Claude Muncaster's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Claude Muncaster (1903-1974) The Old George Inn, South Cerney, Gloucestershire Dated October 1952 to reverse Signed lower left and further signed to reverse Pencil and Watercolour 20x30cm Muncaster's watercolours capture the English countryside feel with great competence. Here, the Old George Inn (which still exists, though in less splendid isolation) is captured charmingly. Claude Grahame Muncaster, RWS, ROI, RBA, SMA was the son of Oliver Hall RA. At the age of fifteen his career as a landscape painter began, and he soon took to the seas, spending the 1920s and 30s travelling the world with his sketchbook in a series of vessels. With the outbreak of war and he joined the RNVR training as a navigator. Having left school at fifteen his mathematics was very weak and it was a relief for all when his artistic talents meant he was recruited as a camofleur. A master of capturing seascapes he was therefore able to hide huge ships ‘in plain sight’ with clever disguises. After the war he painted for the Royal Family and was a frequent guest at Sandringham. Claude Muncaster was a watercolourist known for his landscapes and maritime scenes. He was born Grahame Hall, the son of the Royal Academician Oliver Hall who taught his son to paint from an early age; Grahame first exhibited his work aged 15 and a few years later was showing at the RA. However, he adopted the name Claude Muncaster in 1922 to dissociate his career from that of his father. Muncaster’s primary choice of subject matter came from a genuine love of the sea. He made several long-distance sea voyages, including one around the Horn...