Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

James Bolivar Manson
St John’s College, Cambridge watercolour by James Bolivar Manson

About the Item

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. James Bolivar Manson (1879 – 1945) St John’s College, Cambridge Watercolour 29 x 40 cm Signed lower right. A wintry view of St John’s College, Cambridge. The chapel tower nestles behind bare trees, set against a white sky. Manson was an artist who worked at the Tate Gallery and was its Director from 1930 to 1938. His time there was clouded by his frustrated ambitions as a painter and his descent into alcoholism. His professional career began as an office boy – leaving Alleyn’s School in Dulwich at 16 – with the publisher George Newnes, and then as a bank clerk. He simultaneously studied painting at Heatherley School of Fine Art, commencing in 1890, and then Lambeth School of Art – much encouraged by Lilian Laugher, a violinist who came to stay in the Manson household. He married her in 1903 – the same year he abandoned his bank job. They moved to Paris for a year. Manson shared a studio with Jacob Epstein, who became a lifelong friend. When they returned to London, Manson joined the Camden Town Group, becoming Secretary. Lilian was a close friend of the Director of the Tate and ensured that Manson, aged 33, became Tate Clerk. Manson continued to paint feverishly at the weekend. The Tate website describes Manson as its ‘least succesful’ director. Kenneth Clark described him with “a flushed face, white hair and a twinkle in his eye; and this twinkling got him out of scrapes that would have sunk a worthier man without trace.” His painting continued to show promise, and he joined the London Group in 1914 and showed with the New England Art Club from 1915. His first solo show was at the Leicester Galleries in 1923 and he became a member of the NEAC in 1927. He attended a dinner at the Hotel George V in Paris in 1938 to celebrate the British Exhibition at the Louvre. Clive Bell wrote to his wife, “Manson arrived at the déjeuner given by the minister of Beaux Arts fantastically drunk – punctuated the ceremony with cat-calls and cock-a-doodle-doos, and finally staggered to his feet, hurled obscene insults at the company in general and the minister in particular, and precipitated himself on the ambassadress, Lady Phipps, some say with amorous intent; others with lethal intent.” Bell concluded: “The guests fled, ices uneaten, coffee undrunk… I hope an example will be made, and that they will seize the opportunity for turning the sot out of the Tate, not because he is a sot, but because he has done nothing but harm to modern painting.” The Director of the Tate was arbiter as to whether imported items amounted to art (which would make them exempt from customs duty). This caused controversy when Peggy Guggenheim imported sculpture by Marcel Duchamp and others. Manson pronounced Constantin Brâncuși’s Sculpture for the Blind (a large, smooth, egg-shaped marble) to be “idiotic” and “not art”, and therefore subject to duty. Letters were written to the press and the matter reached the House of Commons, where Manson was criticised and eventually had to back down. He retired at the age of 58. By his own account, “my doctor has warned me that my nerves will not stand any further strain… I have begun to have blackouts, in which my actions become automatic. Sometimes these periods last several hours…. I had one of these blackouts at an official luncheon in Paris recently, and startled guests by suddenly crowing like a cock….” His successor was Sir John Rothenstein, who discovered that the staff referred to artwork in the basement as ‘Director’s Stock’. It transpired that Manson had been selling it to boost his salary. His work now hangs in the Tate, as well as in many other galleries in Britain and abroad.
  • Creator:
    James Bolivar Manson (1879 - 1945, British)
  • Dimensions:
    Height: 11.42 in (29 cm)Width: 15.75 in (40 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU795311954592

More From This Seller

View All
Sarah Orange: 'The Kitchen Bridge, St John's College, Cambridge' watercolour
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

19th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

Llangollen Bridge, Wales c. 1800 Georgian monochrome Watercolour
Located in London, GB
To see our other views and maps of England, Wales and Scotland - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from th...
Category

Early 19th Century Realist Landscape Drawings and Watercolors

Materials

Ink, Watercolor

Valle Crucis Abbey, Wales c. 1800 Georgian monochrome Watercolour
Located in London, GB
To see our other views and maps of England, Wales and Scotland - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from th...
Category

Early 19th Century Realist Landscape Drawings and Watercolors

Materials

Ink, Watercolor

Prospect of Durham from the River 19th Century Watercolour
Located in London, GB
To see our other views and maps of England - including London, Durham, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" -...
Category

19th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

Edward William Trick, 'Bridge of Sighs, St Johns College Cambridge' watercolour
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...
Category

Mid-20th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

John Fulleylove 'St John's College Cambridge, The Old Library' 1880 watercolour
By John Fulleylove
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. John Fulleylove (1845-1908) The Old Library...
Category

19th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

You May Also Like

Watercolor Portrait of a Girl with Roses signed Bowman 1906
Located in Philadelphia, PA
Unknown Artist (Bowman) (early twentieth century) Girl with Roses Watercolor on paper, 5 x 8 inches Framed: 13 x 16 inches Signed and dated at lower right: “Bowman/.06”
Category

Early 1900s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Watercolor featuring Castel dell'Ovo, Naples, 1851 by English Artist Howman
Located in Philadelphia, PA
Edward J. Howman (English, nineteenth century) Castel dell'Ovo, Naples, 1851 Watercolor and gouache on paper, 7 x 10 inches Framed: 12 x 15 inches (approx.) Label on backing verso: ...
Category

1850s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Watercolor of Atlantic City Beach with Lucy the Elephant By E.D. Lewis
By Edmund Darch Lewis
Located in Philadelphia, PA
Edmund Darch Lewis (American, 1835–1910) Atlantic City Beach Scene with Elephant, 1884 Watercolor on grey paper, 8 x 18 1/2 inches(sight); Framed: 16 x 26 inches This view of the beach near Atlantic City features Lucy the Elephant...
Category

1880s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Watercolor: Golden in the Sand by Philadelphia Artist George Lambdin
By George Cochran Lambdin
Located in Philadelphia, PA
George Cochran Lambdin (American, 1830–1896) Goldenrod in the Sand Watercolor on paper, 19 x 12 inches Framed: 27 x 20 inches (approx.) A son of the portraitist James Reid Lambdin, ...
Category

Late 19th Century Realist Still-life Drawings and Watercolors

Materials

Paper, Watercolor

View from the Public Baths, Cherbourg, France
Located in Philadelphia, PA
Percival Skelton (English, active 1852-87) Cherbourg Watercolor on paper, 5 3/8 X 9 3/8 inches Framed: 11 x 15 inches (approx.) Inscribed at lower left: "Cherbourg"; at lower right: ...
Category

Mid-19th Century Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Watercolor View from Gayley Street, Media Pennsylvania, 1905
Located in Philadelphia, PA
Charles Lewis Fussell (American, 1840–1909) View from Gayley Street, Media PA, 1905 Watercolor on paper, 13 1/2 x 23 3/4 inches Framed: 25 1/2 x 35 3/4 (approx.) Signed and dated a...
Category

Early 1900s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Recently Viewed

View All