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Jan Pieter Verdussen
Riding School - China Ink Drawing by Jan Pieter Verdussen - Mid 1700

Mid 18th Century

Price:$408.61
$426.37List Price

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Dog with Plants - Original China Ink Drawing by Jan Pieter Verdussen - 1751
By Jan Pieter Verdussen
Located in Roma, IT
Dog with plants in the garden is a beautiful artwork realized by Jan Peter Verdussen in 1751. pen and watercolour on brown paper. In good codition except for some pencil marks and t...
Category

Mid-17th Century Old Masters Landscape Drawings and Watercolors

Materials

Paper, Ink

Plants - Original China Ink Drawing by Jan Pieter Verdussen - 1740
By Jan Pieter Verdussen
Located in Roma, IT
Plants is a beautiful artwork realized by Jan Peter Verdussen in 1740. pen and watercolour on brown paper. In good codition except for some pencil marks and traces of sealing wax on...
Category

Mid-17th Century Old Masters Landscape Drawings and Watercolors

Materials

Paper, Ink

Speech - Original China Ink Drawing by Jan Pieter Verdussen - Mid 1747
By Jan Pieter Verdussen
Located in Roma, IT
Speech is an original and unique drawing in ink on paper realized by Jan Peter Verdussen, with sketches on the rear. The State of preservation is very good with the traces of time. ...
Category

1740s Old Masters Landscape Drawings and Watercolors

Materials

Paper, Ink

Turin Countryside - Original Ink and Watercolor by Jan Pieter Verdussen - 1744
By Jan Pieter Verdussen
Located in Roma, IT
China ink and Watercolour. With handwritten notes, indicating the place and date of the artwork in lower margin: "Fait proche de Turin, ce 13 Juin 1744". Numbered on the lower right ...
Category

1740s Old Masters Landscape Drawings and Watercolors

Materials

Paper, Ink, Watercolor

Rome, The Countryside- China Ink Drawing by Jan Pieter Verdussen - 1742
By Jan Pieter Verdussen
Located in Roma, IT
Rome is a beautiful artwork realized by Jan Peter Verdussen in 1742. In good condition except for some pencil marks and traces of sealing wax on the back and some diffused foxings. ...
Category

Mid-17th Century Old Masters Landscape Drawings and Watercolors

Materials

Paper, Ink

Rome, The Countryside - China Ink Drawing by Jan Pieter Verdussen - 1742
By Jan Pieter Verdussen
Located in Roma, IT
Rome is a beautiful artwork realized by Jan Peter Verdussen in 1742. In good condition except for some pencil marks and traces of sealing wax on the back and diffused foxings. Hand...
Category

Mid-17th Century Old Masters Landscape Drawings and Watercolors

Materials

Paper, Ink

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View of a Mansion in the South of France, a drawing by Claude-Joseph Vernet
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We would like to thank Madame Beck-Saiello for confirming the autograph nature of this drawing after an in-person examination. It was probably during an excursion in the countryside near Avignon that Claude-Joseph Vernet executed this drawing, enhanced with pen and brown ink, depicting a mansion on a hilltop overlooking a small village with geometric shapes. 1. Joseph Vernet, a painter influenced by Italy Claude-Joseph Vernet was born in Avignon in 1714, the son of Antoine Vernet (1689-1753), an artisan painter of architectural decorations, coach panels, and the like. He moved to the studio of Philippe Sauvan (1697-1792), a leading history painter in Avignon, and then worked with Jacques Viali (active 1681-1745), a decorative, landscape, and marine painter in Aix-en-Provence. Vernet's first recorded paintings were decorative overdoors executed in 1731 in the Aix townhouse of the marquise de Simiane. In 1734, Joseph de Seytres, marquis de Caumont, a leading amateur in Avignon, sponsored Vernet to make a study trip to Italy to complete his artistic education and to draw antiquities for his patron. As Avignon was a papal territory in Vernet's day, he also had a number of useful introductions among influential churchmen when he arrived in Rome. Vernet was soon at home in the French community there, and he was encouraged by Nicolas Vleughels (1668-1737), director of the Académie de France in Rome, even though the young painter had no official affiliation with the royal institution. He likely entered the studio of the French marine painter Adrien Manglard...
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Provenance: Dr. George Hamilton, Massachusetts; and by descent. Private Collection, Ohio, until 2021. Exhibited: (Possibly) Clark Art Institute, Massachusetts (according to a handwritten inscription on the reverse). This drawing by an anonymous, 16th-century German hand presents a delightful scene of nymphs—mostly nude but some draped with cloth—making music in an outdoor setting. The composition is executed within a roundel and centers on the harpsichord played by the figure seen from behind. She is accompanied by a host of other instruments, including horns, a harp, and a lira da gamba played by figures gathered nearby, several of which are positioned along the curved edges of the visual field. Two satyrs observe the merrymaking—one leans on the harpsichord while the other holds aloft a cup, presumably of wine, adding a bacchic element to the revelry. The drawing was previously owned by Dr. George Hamilton, scholar of modern art and Director of the Sterling and Francine Clark Art Institute in Williamstown (1966–1977). Hamilton played...
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No Dutch draughtsman ever captured the atmosphere of the rural countryside of Holland with the same atmospheric and engaging simplicity that Van Goyen achieved in drawings such as this. Indeed, his landscapes were seminal in the development of the genre. The present sketch conveys a striking sense of movement within the natural landscape, conveyed by the deftly applied strokes of chalk, from which the artist’s hand can be sensed. The composition is characteristic of his work, with the low horizon affording significance to the broad sky and the soaring birds within. This feeling of windswept motion powerfully evokes the expansive Dutch farmland with which he was evidently preoccupied. 1. Jan van Goyen...
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