Jason Berger

Garden Estombar, Algarve, Portugal

1988

Ben Norris’ vibrant landscapes teem with creeping vines, tropical flowers, and encroaching vegetation. His watercolors and paintings of tranquil gardens and lush rainforests transpor...

Signed lower left: 'W.P. Burpee'. From the estate of the artist. Estate stamp verso. Back bears pastel board preparer's stamp of 'W. Devoe Co. / New York'. In fine condition. This piece might have been shown February 28 -- March 12, 1910, at the Boston Society of Watercolor Painters 21st annual exhibition in the gallery of Charles Cobb, as #10 'Gold and Rose on Mt.Blanc' See: 'William Partridge Burpee, American Marine Impressionist' by D.Roger Howlett,1991, Copley Square...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

"Rail Yard" Urban Industrial WPA American Scene Drawing NYC Mid-Century. Initialed "JS" upper right Solman was a pivotal figure in the development of 20th century American art. He ...