Jean Delpech

Woman - Original Watercolour by Jean Delpech - Mid 20th century

Mid 20th century

Woman is an original drawing in watercolor, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions. Jean-Raymond Delpech (1988-1916) is a French painter...

Women is an Original drawing in China Ink and water color realized by Lucien Coutaud in Mid-20th Century. Stamp Signed. Good conditions. The delicate and dynamic strokes created i...

Nude Woman is a watercolor and ink drawing realized by Jean Chapin in the 1950s. Signature stamp on the yellowed paper. Good condition, except for folding on the margins and small ...

Nude is a Drawing in charcoal and watercolor on cream-colored paper realized by Mino Maccari in the 1930s. hand-signed on the lower right. Good conditions with minor folding and cu...

Louise Marie Jossier-Grémillon L'amphore blessée (the wounded amphora), 1934, signed, titled and dated lower left watercolor on paper 62 x 44 cm In good condition In its original f...

With an immediately clean and elegant impact, we already know that this drawing can be counted among the valuable range of Ademollian early graphic art for two reasons: the subject, ...

John Brock Lear, Jr., an American Modernist artist from Philadelphia, Pennsylvania. His works are in the collections of the Philadelphia Museum of Art, the Woodmere Art Museum, the D...

Provenance: Dr. George Hamilton, Massachusetts; and by descent. Private Collection, Ohio, until 2021. Exhibited: (Possibly) Clark Art Institute, Massachusetts (according to a handwritten inscription on the reverse). This drawing by an anonymous, 16th-century German hand presents a delightful scene of nymphs—mostly nude but some draped with cloth—making music in an outdoor setting. The composition is executed within a roundel and centers on the harpsichord played by the figure seen from behind. She is accompanied by a host of other instruments, including horns, a harp, and a lira da gamba played by figures gathered nearby, several of which are positioned along the curved edges of the visual field. Two satyrs observe the merrymaking—one leans on the harpsichord while the other holds aloft a cup, presumably of wine, adding a bacchic element to the revelry. The drawing was previously owned by Dr. George Hamilton, scholar of modern art and Director of the Sterling and Francine Clark Art Institute in Williamstown (1966–1977). Hamilton played...