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Laura Woodward
"Florida Everglades Sunset, " Luminist Hudson River School by Female Artist

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George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar
By George Grosz
Located in New York, NY
George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar George Grosz (Germany, 1893-1959) "City Scene," 17 x 12 inches, signed and dated “33” lower left, watercolor on paper. This drawing, created while Grosz was living in NYC. Period frame, It has been authenticated by Ralph Jentsch, the globally recognized Grosz expert. Provenance: Hirschl & Adler and 511 Gallery...
Category

1930s Expressionist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern
By Reginald Marsh
Located in New York, NY
Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...
Category

1940s American Modern Figurative Drawings and Watercolors

Materials

Paper, Watercolor

"Rail Yard" Urban Industrial WPA American Scene Drawing NYC Mid-Century
By Joseph Solman
Located in New York, NY
"Rail Yard" Urban Industrial WPA American Scene Drawing NYC Mid-Century. Initialed "JS" upper right Solman was a pivotal figure in the development of 20th century American art. He ...
Category

1930s American Modern Landscape Drawings and Watercolors

Materials

Paper, Gouache

TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 3
By David Fredenthal
Located in New York, NY
TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 3 10 1/2 x 6 (sight), Signed David Fredenthal lower right. Framed by Lowy. Offered here is one of several original drawings by WPA artist David Fredenthal that were first published in the 1940 illustrated edition of the novel TOBACCO ROAD by Erskine Caldwell. Background on the Drawing Erskine Caldwell remarked, on seeing the work of David Fredenthal, 26-year-old painter: "That boy could draw my Tobacco Road people." A casual comment, it was enormously productive. The young painter was just finishing a two-year Guggenhcim Fellowship, preceded by a year's study in Paris, two one-man shows at New York's Downtown Gallery, and a fellowship at the Cranbrook Academy near Detroit. He was out in Colorado Springs when he heard what Caldwell had said about him. Fredenthal hadn't read Tobacco Road. He had not even seen the play - now breaking all records in its seventh year on Broadway. But he swapped a portrait for a second-hand Ford and headed East. In New York he learned that Dnell, Sloan & Pearce were bringing out a deluxe edition of Tobacco Road. But he had no entrée to the publishers, and Caldwell, to his disappointment, was out of town. So he drove on to Georgia to have a look at the Tobacco Road people. He found Dr. I. C. Caldwell, the author's father, in Wrens, Ga., going on his ministerial rounds among people like the Lesters. Fredenthal got a room from a couple who ran a 1-pump filling station...
Category

1930s American Realist Figurative Drawings and Watercolors

Materials

Paper, Ink, Watercolor

Bridge Painter WPA American Modernism Mid 20th-Century Realism Industrial Worker
By Louis Wolchonok
Located in New York, NY
Bridge Painter WPA American Modernism Mid 20th-Century Realism Industrial Worker. Sight size: 18 x 23 1/4 inches. Estate stamped verso. This drawing is the study for a large oil we ...
Category

1930s American Realist Figurative Drawings and Watercolors

Materials

Paper, Watercolor

TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 2
By David Fredenthal
Located in New York, NY
TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 2 10 1/2 x 6 (sight), Signed David Fredenthal lower right. Framed by Lowy....
Category

1930s American Realist Figurative Drawings and Watercolors

Materials

Paper, Ink, Watercolor

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American Watercolor Atlantic City New Jersey Coast Beach Sunset Signed Date 1875
By William Trost Richards
Located in Portland, OR
A fine and important painting by the celebrated American Hudson River School painter William Trost Richards (1833-1905), the painting depicting the coastline at sunset Atlantic City, NJ, signed and dated 1875. This watercolor is fresh to the market from a private American collection, in the same family hands since the 1920's and housed in the original bronzed frame, condition is all original, we at Bloomsbury Fine Art had the work professionally remounted in archival acid free materials and UV glass. Condition is excellent. Framed: 20.25" tall x 30.25" wide x 1" deep At sight: 10.5" tall x 20.5" wide William Trost Richards was born in Philadelphia and began to draw at a young age. At thirteen he was forced to leave school to support his family and found a job designing ornamental metal fixtures. He continued to study art, eventually taking classes at the Pennsylvania Academy of the Fine Arts and exhibiting his first work there in 1852. In 1855 he made the first of several trips to Europe to look at art. An admirer of the great American landscape artists of his day, Frederic Edwin Church and John F...
Category

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Rainbow Over the Niagara Falls, NY
By John Henry Hill
Located in Fredericksburg, VA
"Rainbow Over Niagara Falls, NY" by John Henry Hill is a breathtaking painting that beautifully captures the awe-inspiring grandeur of one of nature's most magnificent wonders. In th...
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Early 20th Century Hudson River School Landscape Drawings and Watercolors

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Watercolor River Landscape titled "Enjoying Calm Waters"
Located in Fredericksburg, VA
"Enjoying Calm Waters" is a captivating 19th-century American School watercolor landscape that epitomizes the beauty of a northern American scene. This exquisite piece showcases the ...
Category

19th Century Hudson River School Landscape Drawings and Watercolors

Materials

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Oil Landscape titled "A View of Irvington on Hudson"
By John Henry Hill
Located in Fredericksburg, VA
"A View of Irvington on Hudson," a watercolor by John Henry Hill, captures the picturesque beauty of Irvington, a charming village nestled along the Hudson River. Hill, celebrated fo...
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Late 18th Century Hudson River School Landscape Drawings and Watercolors

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'Woodland Stream', Paris, New York, Hudson River School, Luminism, AIC, PAFA
By Arthur Parton
Located in Santa Cruz, CA
Signed lower right, 'Arthur Parton' (American, 1842-1914) and painted circa 1885. This notable Hudson River School painter first studied under William Trost Richards, from whom he gained a grounding in the technical aspects of his craft, and, subsequently, at the Pennsylvania Academy of Fine Arts. While in Philadelphia, he began to exhibit with success and, in 1864, moved to New York where he continued to exhibit before leaving for Europe in 1869. In France, he was influenced by the works of the Barbizon painters and then furthered his studies in Paris and London (1870) before continuing to Scotland (1871). Upon his return to America, he would go on to establish himself as a major figure in the art world, maintaining a studio at 51 West 10th Street from 1874 to 1893. Best known for his landscapes of the Adirondacks and Catskill Mountains, Parton also painted in England and Scotland. During his career, he explored several styles including Tonalism and Impressionism, but remained closely influenced by the Hudson River style including Luminism. Parton was a member of the American Watercolor Society, the Artists Fund Society and, from 1871, the National Academy of Design, becoming a National Academician in 1884. Parton exhibited widely and with success including at the Corcoran Gallery of Art (1907-1908, 1910), Brooklyn Artists Association (1866-85), Philadelphia Centennial Exposition (1876), Boston Art Club (1882-1909), New York City (1886 gold medal), Pennsylvania Academy of Fine Arts (1889 Temple gold medal, 1891, 1896-97, 1905), Paris Exposition Universelle (1889 honorable mention), St Louis Exposition (1904 medal), the Art Institute of Chicago and, for more than 50 years, at the National Academy of Design (1862-1914, 1896 prize). Parton gained widespread recognition after his painting of the Shenandoah River (1872) was published in William Cullen Bryant...
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1880s Hudson River School Landscape Drawings and Watercolors

Materials

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Rare 19th Century Watercolor and Platinotype -- Coming Home
By Edward Lamson Henry
Located in Soquel, CA
Rare 19th Century Watercolor and Platinotype -- Coming Home Wonderful and rare 19th Century watercolor and platinotype (Watercolor over Platinum photograph) attributed to Edward Lamson Henry...
Category

Late 19th Century Hudson River School Figurative Drawings and Watercolors

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