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Merton Clivette
Landscape

c.1925

$1,000
£758.78
€867.59
CA$1,396.73
A$1,552.97
CHF 810.88
MX$18,903.46
NOK 10,346.43
SEK 9,694.11
DKK 6,475.01
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About the Item

Artist: Merton Clivette (American, 1868-1931) Title: Landscape Year: Circa 1925 Medium: Gouache Paper: Heavy Bristol type Size image: 22.75 x 28 inches Paper size: 22.75 x 28 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore, Modern Art, Why, What and How. Solo Exhibitions: 1926 New Gallery 600 Madison Ave. New York, N.Y. 1927 New Gallery 600 Madison Ave. New York, N.Y. 1927 Bernheim-Jeune 83, rue de Faubourg Saint-Honore, Paris, France (catalogue, review) 1928 Milwaukee Journal Gallery of Wisconsin Art Milwaukee, WI 1928 Speed Memorial Gallery Louisville, Kentucky 1929 Art Center 65 E. 56th St. New York, N.Y. "Gustave Nassauer's Collection of Paintings by Clivette" 1930 100 Central Park South New York, N.Y. "Collection of Gustave Nassauer" (catalogue, review) 1933 Art Center 65 E. 56th St. New York, N.Y. 1993 Denenberg Fine Arts Gallery 257 Grant Ave. San Francisco, CA 1993 Couturier Gallery 166 N. La Brea Ave. Los Angeles, CA (review) 2004 CaliforniaView Fine Arts 143 N. Santa Cruz Ave. Los Gatos, CA (catalogue) Group Exhibitions: 1923 Ainslee Art Galleries 677 Fifth Ave. New York, N.Y. 1925 Spanish Society 239 W. 14th St. New York, N.Y. Two Person Exhibition (review) 1927 Palace of the Legion of Honor San Francisco, CA (review) 1927 Society of Independent Artists The Waldorf-Astoria, New York, N.Y. "11th Annual Exhibition" (catalogue, review) 1928 Ainslee Gallery Fisher Building, Detroit, MI (catalogue, review) 1929 Brooklyn Museum of Art Brooklyn, N.Y. "Exhibition of Watercolor Paintings, Pastels & Drawings by American & European Artists" (catalogue) 1929 The Anderson Galleries 489 Park Ave. New York, N.Y. "Spring Salon" (catalogue) 1929 Corona Mundi International Art Center of the Roerich Museum 310 Riverside Dr. New York, N.Y. "Exhibition of Modern Art from the collection of George Hellman" 1929 The Oakland Gallery (precursor to the Oakland Museum) Oakland, CA (reviews) 1930 Museum of Modern Art New York, N.Y. "Paintings and Sculpture by Living Americans" (catalogue) 1931 Los Angeles Museum Los Angeles, CA (review) 1932 The Anderson Galleries 30 E 57th St. New York, N.Y. "Notable Paintings & Drawings Chiefly of the Modern School" (catalogue) 1934 Philadelphia Museum of Art Philadelphia, PA 1934 Los Angeles Museum Los Angeles, CA (reviews) 1935 Contemporary Arts New York, N.Y. "Collection of Burton Emmett" Public Collections (currently known) Metropolitan Museum of Art, New York, N.Y. Brooklyn Museum of Art, Brooklyn, N.Y. Fogg Art Museum, Harvard University, Cambridge, MA Ackland Art Museum, University of North Carolina, N.C. Archives of American Art, Smithsonian Institution, Washington D.C.
  • Creator:
    Merton Clivette (1868 - 1931, American)
  • Creation Year:
    c.1925
  • Dimensions:
    Height: 28 in (71.12 cm)Width: 22.75 in (57.79 cm)Depth: 0.01 in (0.26 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    San Francisco, CA
  • Reference Number:
    Seller: 109631stDibs: LU66632731853

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Landscape #II
By Merton Clivette
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Artist: Merton Clivette (American, 1868-1931) Title: Landscape II Year: Circa 1925 Medium: Gouache Paper: Watercolor Size image: 17.35 x 22.65 inches Size paper: 17.35 x 22.65 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...
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