Philomena Marano

Tickets/ Coney Island, colorful detailed cut paper, urban New York graphic

2006

Printmaking on Paper

Silkscreen Edition of 125 + 1AP Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Many are large-scale papier collé installations, a technique Marano learned from Robert Indiana in whose studio she formerly assisted. In conjunction with “American Dream Land,” in 1981 Marano and Richard Eagan co-founded the Coney Island Hysterical Society, which undertakes projects such as restoring old rides in response to the alarming rate at which they were shutting down in the fabled amusement park of their childhood. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

Pastel on black paper. Ms. Morgan says: When I finally started riding the subway again during Covid isolation - going down to the ocean was a real treat. The collection of fisherma...

Pastel on black paper. Ms. Morgan says: When I finally started riding the subway again during Covid isolation - going down to the ocean was a real treat. The collection of fisherma...

Hand signed and numbered edition of 25. 16 x 36" sheet size without frame. “Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down) Born 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was 1986, BFA, State University of New York, Purchase, NY 1992–1993, Skowhegan School of Painting and Sculpture, ME 1996, Marie Walsh Sharpe Art Foundation Studio Grant 1997, New York Foundation for the Arts, Painting Grant 1997 Pollock-Krasner Foundation Grant 2002 George Hitchcock Award, National Academy of Arts 2003, Richard & Hinda Rosenthal Foundation Award, American Academy 2005, AICA Best Show of an Emerging or Underknown Artist 2005 Pollock-Krasner Foundation Grant 2006 Best Installation, Best of Houston, the Houston Press 2009 Guggenheim Foundation Grant 2010, New York Foundation for the Arts Drawing/Print Grant 2010 Joan Mitchell Foundation Grant Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of is a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler...

C F S I is an original hand drawn lithograph by the New York woman artist Marie Roberts printed using hand lithography techniques on archival Arches paper 100% acid free. C F S I portrays a Coney Island Sideshow Performance with several onlookers standing by the stage watching the show. C F S I is a skillfully expressed comic character figure drawing printed in black ink shaded with colored crayon line textures in shades of red, yellow and blue. C F S I is a very fine impression exemplifying the magic and artistic mastery of hand crafted lithography with its nuanced tusche brush strokes and pencil crayon line textures and shading. Print size - 29.5 x 21.25 in, unframed, excellent condition, hand signed in pencil by Marie Roberts Image size - 26.25 x 18.25 in Year published - 1995 Edition size - 25 Marie Roberts, a Coney Island native is best known for her banners for the Coney Island Circus Sideshow...

Signed center left, 'A. Dygert' for Audrey Dygert (American, 1922-2010) with artist seal and painted circa 1995. Audrey Dygert was a lifelong painter inspired by her natural surroun...

Artist: Red Grooms, American (1937 - ) Title: Blewy II Year: 1972 Medium: Screenprint, unsigned Edition: 3000 Paper Size: 14 x 18 inches (35 x 45 cm) Frame Size: 19 x 25 inches Pri...