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Terry Elkins“Gardiner’s Island”Circa 1993
Circa 1993
About the Item
Original collage composed of realistic graphite drawing on old nautical chart of a large rowboat. Signed lower right . Dedicated to Dr. Kerr, a Hamptons doctor. Condition is very good. The rowboat is centered over Gardner’s Island. Overall framed in a natural beechwood frame. Overall framed measurements are 22 by 16.25 inches. Provenance: A Southampton, New York collector.
Elkins is an established Bridgehampton, New York artist who has been working professionally since the late 1970's.
His oil paintings, pastels, drawings and watercolors cover a range of subjects from landscapes and seascapes to maritime and nautical images and historic architectural landmarks.
Elkins works have been exhibited throughout the Unites States and abroad. He has received two Pollock-Krasner Foundations Awards and has been an artist in residence for the Frederic Remington Art Museum in Ogdensburg, NY and the Nature Conservancy at the Andy Warhol Preserve in Montauk, NY.
- Creator:Terry Elkins (1951, American)
- Creation Year:Circa 1993
- Dimensions:Height: 17 in (43.18 cm)Width: 11.5 in (29.21 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Light staining to mat; otherwise very good condition.
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU14114486802
Terry Elkins
After growing up in the American South and receiving his BFA from Sam Houston State University, and an MFA from the University of Houston in Texas, Terry Elkins (b. 1951 | Mississippi) was drawn to the East Coast to forge his career as a painter. When Elkins first came to the South Fork of Long Island in the late 1980’s, the culture was slow-paced, humble, and centered around an economy of independent fisherman. Every day, Elkins would witness Baymen set out to sea in their dories to cast nets offshore to earn a living from their catch. Decades later, that lifestyle has sadly dissolved due to huge offshore fishing fleets, and the crunch of 21st Century conventions. Nonetheless, Elkins paintings are devoted to this humble vision of the Hamptons; where a dory can lay along the beach unlocked without fear of tampering or theft; and the serene beauty of the local landscape is more than sufficient to satisfy one’s way of life. After nearly 4 decades of living on the East End, Elkins avows that “there are many beautiful places here, and I will honestly say I’ve discovered most of them.” Unspoiled lands, fortunately protected by conservation easements, native ecosystems are allowed to thrive unhindered by human contamination and development.
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