William Black

Modern British, St. Ives group William Black watercolour of three boats

1968

Rachel Fenner ARCA (British, b.1939) Towards the sea, Porth Y Rhaw Gouache on paper Signed ‘Rachel Fenner’ (lower right) 11.3/8 x 14.7/8 in. (29 x 37.7 cm.) Provenance: Duncan Campbe...

Leon Underwood (British, 1890 – 1975) A River landscape in Italy Signed, inscribed indistinctly and dated ’25. Watercolour on paper 10.5/8 x 14.1/2 in. ...

Gabriel Van Schnell (Dutch fl. 1908/1947) The Sudden Shower Signed, inscribed and dated ‘Gabriel 1946. SUDDEN SHOWER. / SUNSHINE. WIND AND RAIN’ (lower edge) 5 x 5 in. (12.7 x 12.7...

Sir William Rothenstein (British, 1872-1945) Mountain landscape Signed and dated `W. Rothenstein 22’ (lower right) Gouache 20.3/8 x 15 in. (51.8 x 38 cm.) Provenance: Christie’s London, Modern British Paintings, 31 October 1996, lot 2 The English portrait artist Sir William Rothenstein was born January 29, 1872, near Bradford, Yorkshire. William Rothenstein was the son of Moritz Rothenstein, who came to England from Hanover in 1859, and the brother of Charles Lambert Rutherston, the collector, and Albert Daniel Rutherston, the artist. William Rothenstein studied for one year at the Slade School in London under Alphonse Legros, after which he spent four years in Paris, where he attended the Académie Julian. While in Paris, Rothenstein met many of the important artists of the time; he was particularly influenced by James Whistler, Edgar Degas, and Henri Fantin-Latour. After his return to England in 1893, Rothenstein was commissioned by John Lane...

"Abstract with Grass and Poppies II" is an original watercolor, iridescent acrylic, and ink painting on watercolor paper by David Barnett. The artist signed the piece lower right. Th...

Purple Haze (Glyph), 2012 ink, watercolor, colored pencil, marker ink and fluid ink on synthetic paper 25 x 38 inches / 635 x 965 mm Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle ships...

"Beaver Lake with Reindeer Clouds" is an original mixed media watercolor piece by David Barnett, signed in the lower right corner. The piece depicts Beaver Lake in the abstract, a bl...

"first Impressions of Mexico City #1: Una Pata Arriba Revisited" is an original watercolor, ink, and iridescent acrylic piece by David Barnett, signed in the lower left. The pieces d...