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William Samuel HortonAmerican 20th century landscape painting of Eccleston Abbey UK by Horton, pastel
$2,763.68
£2,000
€2,370.21
CA$3,815
A$4,250.19
CHF 2,229.71
MX$51,911.67
NOK 28,232.38
SEK 26,456.08
DKK 17,691.70
About the Item
William Samuel Horton (American, 1865–1936)
Eccleston Abbey
Pastel on paper
Signed lower left ‘W. S. Horton’, further signed ‘Horton’ on an old label to the reverse
18 × 23¾ in. (45.8 × 60.5 cm)
Provenance: From the estate of the artist and thence by descent
An accomplished American Impressionist, William Samuel Horton trained at the Art Students League in New York and in Paris, where his style absorbed the light-filled palette and fluid handling of the French Impressionists. Dividing his career between Europe and America, Horton developed a particular sensitivity to atmosphere and architectural subjects. In this pastel, the tranquil majesty of Eccleston Abbey is rendered with soft yet luminous colour, the play of light and shadow evoking both the serenity of its setting and the romance of its historic architecture. Horton's mastery of pastel is evident in the rich surface and subtle tonal gradations, imbuing the work with depth and mood.
- Creator:William Samuel Horton (1865 - 1936, American)
- Dimensions:Height: 18 in (45.72 cm)Width: 23.75 in (60.33 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good condition, a few small dents and minor pinhole to left edge. Behind glass. In a simple black wood frame.
- Gallery Location:Petworth, GB
- Reference Number:1stDibs: LU540316782052
William Samuel Horton
A landscape painter, William Horton lived and worked primarily in Paris where he was a member of the Societe Moderne, the Societe Internationale, and the Salon d'Automne. He was a wealthy man and a friend of artists who became famous such as Monet and Degas and other Impressionists. He was born in Grand Rapids, Michigan, and was raised in North Dakota. His first art-related job was as an illustrator for Northwest Magazine. Disinherited by his family because of his commitment to art, he studied first at the Art Institute of Chicago and then at the Art Student's League and the National Academy of Design in New York. He married in 1892, and the couple went to Paris where he enrolled in the Academy Julian and where they lived the remainder of their lives, becoming very active in the American-French art community and exhibiting regularly in the salons. Between 1926 and 1928, on a return to the United States, he did a series of views of New York skyscrapers because he was inspired by their appearance of establishing the position of human beings on the earth.
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