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William Samuel HortonAmerican 20th century landscape painting of Whitby Abbey UK by Horton, pastel
$2,210.95
£1,600
€1,896.17
CA$3,052
A$3,400.15
CHF 1,783.77
MX$41,529.34
NOK 22,585.91
SEK 21,164.86
DKK 14,153.36
About the Item
William Samuel Horton (American, 1865–1936)
Whitby Abbey
Pastel on paper
Signed lower right ‘William S. Horton’
17⅝ × 23 in. (44.8 × 58.5 cm)
Provenance: From the estate of the artist and thence by descent
A leading figure among American Impressionists working in Europe, William Samuel Horton studied in New York and Paris, drawing inspiration from the luminous palettes and spontaneous brushwork of the French Impressionists. His travels frequently took him to sites of historic and architectural significance, where he combined atmospheric sensitivity with keen structural observation. In this pastel, Horton depicts the dramatic silhouette of Whitby Abbey against the shifting light of the English coast, using velvety pastel tones to capture both the monumentality of the ruins and the moody beauty of their surroundings. The work reflects his gift for merging architectural form with a painterly evocation of place.
- Creator:William Samuel Horton (1865 - 1936, American)
- Dimensions:Height: 17.63 in (44.79 cm)Width: 23 in (58.42 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good condition. Behind glass. In a simple black wood frame.
- Gallery Location:Petworth, GB
- Reference Number:1stDibs: LU540316782072
William Samuel Horton
A landscape painter, William Horton lived and worked primarily in Paris where he was a member of the Societe Moderne, the Societe Internationale, and the Salon d'Automne. He was a wealthy man and a friend of artists who became famous such as Monet and Degas and other Impressionists. He was born in Grand Rapids, Michigan, and was raised in North Dakota. His first art-related job was as an illustrator for Northwest Magazine. Disinherited by his family because of his commitment to art, he studied first at the Art Institute of Chicago and then at the Art Student's League and the National Academy of Design in New York. He married in 1892, and the couple went to Paris where he enrolled in the Academy Julian and where they lived the remainder of their lives, becoming very active in the American-French art community and exhibiting regularly in the salons. Between 1926 and 1928, on a return to the United States, he did a series of views of New York skyscrapers because he was inspired by their appearance of establishing the position of human beings on the earth.
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