Manfred Schwartz

Reclining Female Nude

Mid-20th Century

Manfred Schwartz (American, b. Poland, 1909-1970), Resting Nude Woman, Charcoal on Paper, with the artist's signature stamped lower left, unframed. 20" H x 14.25" W. Provenance: From...

Manfred Schwartz (American, b. Poland, 1909-1970), Female Nude, Charcoal on Paper, woman with arms above head, with the artist's signature stamped upper left, unframed. 20" H x 14.25...

Manfred Schwartz (American, b. Poland, 1909-1970), Reclining Nude Woman, Oil on Canvas, apparently unsigned, gilt wood frame. Image: 14.75" H x 17.75" D; frame: 22" H x 25" W x 2.5"....

Manfred Schwartz (American, b. Poland, 1909-1970), Seated Nude Woman, Charcoal on Paper, woman holding ball, with the artist's signature stamped lower left, unframed. 20" H x 14.25" ...

Reclined Nude is a drawing in watercolor, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions with minor folding and cuts. Jean-Raymond Delpech (1988-191...

Reclining Female Nude Charcoal and colored chalks with white highlights on tan laid paper, c. 1948 Signed and monogrammed by the artist lower right (see photo) A masterpiece dr...

Reclining Female Nude Charcoal and colored chalks with white highlights on tan laid paper, c. 1948 Signed and monogrammed by the artist lower right (see photo) A masterpiece dr...

Original oil pastel on archival paper by the well known American artist, Byron Browne. Signed lower right and dated 1956. Condition is excellent. Recently professionally rematted. Original frame in very good condition. Overall framed measurements are 23.75 by 31.75 inches. Provenance: A Long Island, New York estate. Byron Browne: American (1907-1961) Byron Browne was a leader of the American Avante Garde art movement in the 1930’s and 40’s along with Bolotowsky, Greene, Gorky, and de Kooning. These artists helped pave the way for America, New York in particular, to be seen as a center for art innovation after decades of France being the art center of the world. He had more than 70 solo exhibitions during his lifetime. Browne's early artistic training was conventional, and little about his time at the National Academy of Design (1924-1928) suggested he would depart from the traditional methods in which he was being schooled. Several experiences are identified as being important to his transformation to an abstract artist. In 1927, he and his friend Arshille Gorky visited Albert Gallatin...