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18th Century Nude Drawings and Watercolors

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Period: 18th Century
Academy Study of a Seated Male Figure Seen from the Back
By Charles Joseph Natoire
Located in Paris, Île-de-France
Attributed to Charles-Joseph NATOIRE (Nîmes 1700 – 1777 Gandolfo) Academy Study of a Seated Male Figure Seen from the Back (Youthful study executed around the 1720s–1730s, likely du...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

Chalk

French Neo classical school, Allegory of Time, original drawing
Located in Paris, FR
Neo classical school, France, end of the 18th Century Allegory of Time, Pen and black ink on paper, gray ink wash 30.5 x 19 cm irregularly shaped In g...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

India Ink

Life study of a male nude in repose - European School, late 18th Century
Located in Middletown, NY
European School, late 18th century. Red chalk with primo pensiero in graphite on cream laid paper, 8 1/2 x 11 1/2 inches (215 x 293 mm). Scattered light handling wear and multiple s...
Category

Naturalistic 18th Century Nude Drawings and Watercolors

Materials

Chalk, Laid Paper, Pencil, Graphite

Three drawings by François Boucher in a mounting by Jean-Baptiste Glomy
Located in PARIS, FR
We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages. This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

Chalk, Ink

Louis-Félix de La Rue (1730-1777)  A Mythological scene, drawing
Located in Paris, FR
Louis-Félix de La Rue (1730-1777)  A Mythological scene Pen and black ink on paper Bears an old inscription with the name of the artist on the lower left bo...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

Ink

Louis-Félix de La Rue (1730-1777)  Putti playing around a sculpture, drawing
Located in Paris, FR
Louis-Félix de La Rue (1730-1777)  Putti playing around a sculpture, a mythological scene Pen and brown ink on paper 15.4 x 31 cm In good condition The ancient mount has has a smal...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

Ink

Sketch front back neoclassicism Milanese caryatids of the 18th century
Located in Florence, IT
Double-sided sketch for the "Sala delle Cariatidi" of the Royal Palace in Milan. The vibrant and intense brown ink sketch of these two female figures, executed by the Parma plastici...
Category

Other Art Style 18th Century Nude Drawings and Watercolors

Materials

Paper, Ink

Study in the Antique Style, a neoclassical drawing by Augustin Pajou
Located in PARIS, FR
In this lively and fresh drawing, probably taken from one of the artist's notebooks, Pajou presents us with a composition freely inspired by antiquity, as a souvenir of a visit to th...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

Ink

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MB 827 (Contemporary Life Drawing of Two Nude Males by Mark Beard)
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Contemporary 18th Century Nude Drawings and Watercolors

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Apollo and Daphne From Bernini Sculpture, Galleria Borghese, Rome - Original Ink
Located in Chicago, IL
Christopher Ganz Apollo and Daphne From Bernini Sculpture, Galleria Borghese, Rome, 2014 Colored pens & chalk 11h x 7.50w in 27.94h x 19.05w cm Frame: 16.25h x 14.25w in CG0004 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. 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Contemporary 18th Century Nude Drawings and Watercolors

Materials

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Located in Hudson, NY
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Materials

Conté, Charcoal, Archival Paper, Graphite

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Located in Hudson, NY
Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 018" graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Signed, lower right ...
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Materials

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19th century German orientalist nude portrait figurative drawing on paper
By Anselm Feuerbach
Located in Florence, IT
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Romantic 18th Century Nude Drawings and Watercolors

Materials

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Chinese Erotic Album Leaf, c. 1850
Located in Chicago, IL
Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “spring palace paintings,” these ink and watercolor illustrations imagined the sensual delights of courtly life. Taken from an album of erotic paintings, this framed leaf departs from a tradition of depicting lovers in risqué outdoor settings by picturing an amorous coupling in a distinctly Qing-dynasty interior. The uniquely detailed surroundings shed light on the prevailing aesthetic tastes in decor and furniture of 19th-century China. Note the carved wooden headrest, blue and white censer...
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Materials

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Located in New York, NY
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Located in Hudson, NY
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Materials

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Located in Hudson, NY
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Materials

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Located in Soquel, CA
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Materials

Paper, Conté

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Sleeping Nude Figurative
H 31 in W 25 in D 0.75 in
Figure Drawing by Mark Beard (Stoic, Muscular Male Nude Charcoal Life Drawing)
Located in Hudson, NY
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Located in Arp, TX
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Paper, Charcoal, India Ink

Previously Available Items
A spectacular Study of a sleeping nude Man by Pompeo Batoni (1708 - 1787)
Located in PARIS, FR
The attribution to Pompeo Batoni has been confirmed by Professor Francesco Petrucci based upon a photography of the artwork. This impressive study of a nude man belongs to a series ...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

Paper, Chalk

The Captive, Study of a Naked Man, Red Chalk Study, Carracci Gallery
By Annibale Carracci
Located in London, GB
Red chalk on paper Image size: 11 x 5 1/2 inches (28 x 14 cm) Mounted This 18th century drawing is after the work of the 16th Century Italian artist Annibale Carraci. This figure, along with many more, were painted by Carraci in the Palazzo Farnese in a space now known as the Carracci gallery. The Carracci gallery is considered as one of the most important Renaissance commissions in Rome. This figure, along with five other companions, were known as 'The Captives'. They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda. Annibale Carracci Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting. The Carracci rejected the artificiality of Mannerist painting, championing a return to nature coupled with the study of the great northern Italian painters of the Renaissance, especially Correggio, Titian, and Veronese.During the 1580s, the Carracci were painting the most radical and innovative pictures in Europe. Annibale not only drew from nature, he created a new, broken brushwork to capture movement and the effects of light on form. His Two Children Teasing a Cat marks a new chapter in the history of genre painting. The revolutionary potential of this new kind of painting would be taken up over a decade later by Caravaggio, who must have seen the Carraccis’ work while traveling from Milan to Rome in 1592.The Carracci saw themselves as heir to a great artistic tradition, and they consciously situated themselves within the history of northern Italian painting. Annibale and Agostino visited Parma and Venice to study the work of Correggio, Titian, Tintoretto, and Veronese. Their altarpieces and secular fresco cycles in Bologna reasserted a northern Italian emphasis on color, light, and the study of nature, but with a new focus on emotive communication. Their success led to Annibale being invited to Rome to work for the powerful Farnese family (1595). Ludovico remained in Bologna to direct the academy they founded. Through the next generation of painters—Francesco Albani, Domenichino, Guido Reni, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art. In Rome, Annibale’s painting was transformed through his first-hand encounter with classical antiquity and the art of Michelangelo and Raphael. Individual scenes of ancient mythology are surrounded by an elaborate illusionistic framework with feigned statues, in front of which sit muscular nude figures seemingly lit from the actual windows (Galleria Farnese ceiling). The corners are opened to painted views of the sky. When unveiled in 1600, the ceiling was instantly acclaimed as the equal of any work in the past. In combining northern Italian naturalism with the idealism of Roman painting, Annibale created the basis of Baroque art. His only challenger in Rome was Caravaggio, whose relation with the past was combative rather than assimilative. Moreover, Caravaggio’s art...
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Paper, Chalk

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Located in Cirencester, Gloucestershire
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Located in Paris, FR
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Old Masters 18th Century Nude Drawings and Watercolors

Materials

Ink

Study of Nude Man, a red chalk study by Ubaldo Gandolfi (1728 - 1781)
Located in PARIS, FR
We would like to thank Marco Riccòmini for his help in preparing this note and in particular for pointing out the existence of the drawing in the Musei Civici of Reggio Emilia. The ...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

Chalk

After Michelangelo - 18th Century Sanguine, Detail from the Creation of Adam
Located in Corsham, GB
A sanguine study of a male torso in the manner of Old Master drawings. The study is possibly after a detail from Michelangelo's (1475-1564) 'The Creation of Adam' (c.1508-1512) in th...
Category

18th Century Nude Drawings and Watercolors

Materials

Chalk

Original Male Nude Study Drawing By Ziesenis
Located in San Francisco, CA
Original early 18th C. male nude study graphite drawing by Johann Ziesenis (1716-1776) Artwork: 9" x 12.5" (sight) Frame: 16.5" x 20.5" Johann Georg Ziesenis was a German – Danish portrait painter. His father Johan Jürgen Ziesenis was a painter from Hanover who had been granted Danish citizenship in Copenhagen in 1709 and whose works included a 1739 Baptism of Christ for Copenhagen's garrison church. After drawing lessons from his father, Johann lived in Düsseldorf, where he gained further training and painted several portraits of the royal family. In 1764 he became court painter at Hanover and in 1766 he was granted 400 kroner by the Danish king "for travel and other expenses". In 1768 he was in the Netherlands, where he produced portraits of William V...
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18th Century Nude Drawings and Watercolors

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Louis-Félix de La Rue (1730-1777) Venus at Vulcan's Forge, drawing
Located in Paris, FR
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Old Masters 18th Century Nude Drawings and Watercolors

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Ink

Reclining Youth, 18th Century Nude Graphite on Paper
Located in London, GB
French School 18th Century Reclining Youth Graphite and charcoal on paper Image size: 15 x 23 inches (38 x 58.5 cm) Wash line mount and gilt frame Painting in eighteenth-century Fra...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

Charcoal, Graphite

Pietro Antonio Novelli, study from a work a Marteen De Vos, 18th, ink/watercolor
Located in Florence, IT
This drawing, ink and watercolors on light blue paper, is a study based on a engraving by the flemish artist Maarten De Vos. It belongs to Pietro Antonio Novelli, that was an Italian painter and engraver. Novelli trained with the Venetian painter Jacopo Amigoni...
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Other Art Style 18th Century Nude Drawings and Watercolors

Materials

Paper, Ink, Watercolor

Louis-Félix de La Rue (1730-1777) A Mythological scene, drawing
Located in Paris, FR
Louis-Félix de La Rue (1730-1777)  A biblical or mythological episode Signed and dated lower right (under the mount, see photos of the drawing out of frame) ...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

Ink

Antoine Borel (1743-1810), A sleeping Nymph and a Satyr, watercolor
By Antoine Borel
Located in Paris, FR
Antoine Borel (1743-1810) A sleeping Nymph and a Satyr Signed lower left Watercolor on paper 13 x 16.5 cm Stains and foxings, yellowed (as visible in the pictures) Framed : 25 x 28 ...
Category

Old Masters 18th Century Nude Drawings and Watercolors

Materials

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