18th Century Nude Drawings and Watercolors
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Period: 18th Century
Academy Study of a Seated Male Figure Seen from the Back
By Charles Joseph Natoire
Located in Paris, Île-de-France
Attributed to Charles-Joseph NATOIRE (Nîmes 1700 – 1777 Gandolfo)
Academy Study of a Seated Male Figure Seen from the Back
(Youthful study executed around the 1720s–1730s, likely du...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
Chalk
French Neo classical school, Allegory of Time, original drawing
Located in Paris, FR
Neo classical school, France, end of the 18th Century
Allegory of Time,
Pen and black ink on paper, gray ink wash
30.5 x 19 cm
irregularly shaped
In g...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
India Ink
Life study of a male nude in repose - European School, late 18th Century
Located in Middletown, NY
European School, late 18th century. Red chalk with primo pensiero in graphite on cream laid paper, 8 1/2 x 11 1/2 inches (215 x 293 mm). Scattered light handling wear and multiple s...
Category
Naturalistic 18th Century Nude Drawings and Watercolors
Materials
Chalk, Laid Paper, Pencil, Graphite
Three drawings by François Boucher in a mounting by Jean-Baptiste Glomy
Located in PARIS, FR
We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages.
This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York.
1. François Boucher, the master of French rocaille
The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre.
As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him.
On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
Chalk, Ink
Louis-Félix de La Rue (1730-1777) A Mythological scene, drawing
Located in Paris, FR
Louis-Félix de La Rue (1730-1777)
A Mythological scene
Pen and black ink on paper
Bears an old inscription with the name of the artist on the lower left bo...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
Ink
Louis-Félix de La Rue (1730-1777) Putti playing around a sculpture, drawing
Located in Paris, FR
Louis-Félix de La Rue (1730-1777)
Putti playing around a sculpture, a mythological scene
Pen and brown ink on paper
15.4 x 31 cm
In good condition
The ancient mount has has a smal...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
Ink
Sketch front back neoclassicism Milanese caryatids of the 18th century
Located in Florence, IT
Double-sided sketch for the "Sala delle Cariatidi" of the Royal Palace in Milan.
The vibrant and intense brown ink sketch of these two female figures, executed by the Parma plastici...
Category
Other Art Style 18th Century Nude Drawings and Watercolors
Materials
Paper, Ink
Study in the Antique Style, a neoclassical drawing by Augustin Pajou
Located in PARIS, FR
In this lively and fresh drawing, probably taken from one of the artist's notebooks, Pajou presents us with a composition freely inspired by antiquity, as a souvenir of a visit to th...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
Ink
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Apollo and Daphne From Bernini Sculpture, Galleria Borghese, Rome - Original Ink
Located in Chicago, IL
Christopher Ganz
Apollo and Daphne From Bernini Sculpture, Galleria Borghese, Rome, 2014
Colored pens & chalk
11h x 7.50w in
27.94h x 19.05w cm
Frame: 16.25h x 14.25w in
CG0004
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
Visually my work is a celebration of society’s dark undercurrents and its
overlooked absurdities. I use charcoal and printmaking media as their
tenebrous values add a fitting metaphor. The nuances of light and shadow
seduce viewers into a world their better judgment would have them avoid.
This provokes a sense of disquietude that causes viewers to assess our world
through the austerity of a colorless, yet not humorless, light.
-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation.
-CV-
EDUCATION
MFA 2001 Printmaking Indiana University-Bloomington
BFA 1995 Drawing and Printmaking University of Missouri-Columbia
TEACHING/PROFESSIONAL EXPERIENCE
2002-13 Associate Professor, Printmaking and Drawing
Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN
2002 Adjunct Professor: Lithography (instructor of record)
Indiana University-Bloomington
1998-00 Associate Instructor: Beginning Drawing (instructor of record)
Indiana University-Bloomington
1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in
the production of an intaglio edition, Bloomington, IN
SOLO OR SMALL GROUP EXHIBITIONS
2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN
Feb. 5 – Feb. 21
2012 Dramatis Personae: Drawings and Prints by Christopher Ganz,
University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012
2011 Christopher Ganz; Prints and Drawing
Hendrix College, Hendrix, Arkansas, March 5 - 18
2009 Fall Season Exhibition, six drawings displayed
Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24
South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media,
six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23
Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago
2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center
Covington, KY, March 9 - April 6
Alter Egos: Drawings and Prints by Christopher Ganz
Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17
2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz
Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23
2004 Works on Paper: Christopher Ganz and Paul Schumann
Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25
2002 Images by Christopher Ganz - Visual Arts Gallery
Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11
2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery
Indiana University, Bloomington, IN, March 27 - April 7
SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS
2012
International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing,
“The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4
Reverse Watching, Invitational Print Portfolio
Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National
Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3
Contemporary American Realism: Fort Wayne Museum of Art 2012 National
Biennial, Fort Wayne, IN, Aug.11-Oct. 28
32nd Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, April 13 – May 23
Juror: Ladislav Hanka, internationally exhibiting printmaker
International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park
Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April
20-23
Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2
Ann Nathan Gallery, Chicago
2011
Prints U.S.A. 2011 – National Juried Exhibition
Springfield Art Museum, Missouri, Nov. 18 – Jan. 8
Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum
International expositions of Sculpture Objects and Functional Art (SOFA) New York,
Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery
space, April 14-17
2010
Contemporary American Realism: Fort Wayne Museum of Art 2010 National
Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted
Cultural Baggage, Invitational Print Portfolio
Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print
Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct.
13-16
Art Chicago: International Fair of Contemporary and Modern Art
Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2
30th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, April 16 – May 26
Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH
2009
Are you looking at me? Invitational Print Portfolio
Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference
Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19
Art Chicago: International Fair of Contemporary and Modern Art
Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4
Identification Please, Invitational Print Portfolio
Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National
Conference, Columbia College, Chicago, March 25 – 29
Boston Printmakers 2009 North American Print Biennial – National juried
printmaking exhibition
Juror: Rebecca Waddell, Curator of Prints at the New York Public Library
Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30
22nd Parkside National Small Print Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19
Juror: Professor of printmaking at the University of Wisconsin - Parkside
Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National
Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted
28th Annual National Print Exhibition at Artlink - National Juried Exhibition
2008
Artlink Gallery, Fort Wayne, IN, April 11 – May 21
Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and
Curator of Prints and Drawing, Art Institute of Chicago
“No Danger” - Invitational Portfolio
Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond
International Airport as part of the Southern Graphics Council National Conference
Virginia Commonwealth University, Richmond, VA, March 26 – April 26
21st Parkside National Small Print Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21
Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine
Arts, Ohio University
2007
Singularities – Invitational group exhibit
Joan Resnikoff Gallery, Roxbury Community College, Boston, MA
Nov. 2 – Dec. 17
Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational
international printmaking exchange exhibition
School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong,
China, Nov. 1 – Nov. 16
27th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted
Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley
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Boston Printmakers 2007 North American Print Biennial – National juried
printmaking exhibition
Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1
Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books,
The Museum of Modern Art, New York
2006
The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition
National Juried Printmaking Exhibition
Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS
Aug. 11 - Sept 15
Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln
2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006
Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted
26th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted
Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History
at the University of Toledo
19th University of Dallas Print Invitational - Traveling national invitational exhibition
Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted
Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007
Juror: Juergen Strunck, Professor of Art, University of Dallas
A Mammalian Future? - Invitational Portfolio
Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference
University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9
Paper in Particular - National Juried works on paper exhibition
Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces
accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and
Design, Indianapolis, IN
19th Parkside National SmallPrint Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16
Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington
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18th Parkside National Small Print Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22
Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln
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Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15
Juror: Kathryn Reeves, P rofessor of Art, Purdue University
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23rd Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003
Border to Border – National Juried Drawing Exhibition
Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30
Juror: Jim Cantrell, independent studio artist, Bardstown, KY
On/Of Paper – National Juried Exhibition
Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11
Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY
Emerging Artists 2003 – National Juried Exhibition
Limner Gallery, New York, NY, Feb.12 – March 1
Jurors: Tim Slowinski...
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Contemporary 18th Century Nude Drawings and Watercolors
Materials
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Signed, lower right
...
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Contemporary 18th Century Nude Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
19th century German orientalist nude portrait figurative drawing on paper
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Located in Florence, IT
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Romantic 18th Century Nude Drawings and Watercolors
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Chinese Erotic Album Leaf, c. 1850
Located in Chicago, IL
Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “spring palace paintings,” these ink and watercolor illustrations imagined the sensual delights of courtly life.
Taken from an album of erotic paintings, this framed leaf departs from a tradition of depicting lovers in risqué outdoor settings by picturing an amorous coupling in a distinctly Qing-dynasty interior. The uniquely detailed surroundings shed light on the prevailing aesthetic tastes in decor and furniture of 19th-century China. Note the carved wooden headrest, blue and white censer...
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Qing 18th Century Nude Drawings and Watercolors
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Paper, Ink, Watercolor
Untitled (Seated Man Facing Left)
By Mark Beard
Located in New York, NY
Conté crayon on paper
Signed and dated, l.r.
This artwork is offered by ClampArt, located in New York City.
Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...
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Realist 18th Century Nude Drawings and Watercolors
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MB 085A (Contemporary Life Drawing of Nude Male by Mark Beard)
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Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 085A"
graphite, Conte crayon and charcoal on Arches paper
30 x 18.5 inches unframed
Signed, lower rig...
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graphite, conte crayon and charcoal on Arches paper
22 x 15 inches unframed
Contemporary figurative life study drawing of ...
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Modern 18th Century Nude Drawings and Watercolors
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Located in Soquel, CA
Drawing of a sleeping nude woman by S. LeDrew (20th Century). Signed "S. LeDREW" in the lower right corner. Presented in a double mat of dark red and whi...
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Realist 18th Century Nude Drawings and Watercolors
Materials
Paper, Conté
Figure Drawing by Mark Beard (Stoic, Muscular Male Nude Charcoal Life Drawing)
By Mark Beard
Located in Hudson, NY
Academic life drawing of male nude with charcoal and graphite by Mark Beard
graphite, Conte crayon and charcoal on Arches paper
30 x 19.5 inches unframed
Signed, lower left
Strong f...
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Contemporary 18th Century Nude Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
1937 Academic Female Nude Charcoal Drawing "Head in Hand" UC Berkeley
By John Ayres
Located in Arp, TX
John Ayres
Head in Hand
May 1, 1937
Charcoal on Paper
25"x19", unframed $1250
Signed and dated in charcoal top right
*Custom framing available for additional charge. Please expect fr...
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Realist 18th Century Nude Drawings and Watercolors
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Paper, Charcoal, India Ink
Previously Available Items
A spectacular Study of a sleeping nude Man by Pompeo Batoni (1708 - 1787)
Located in PARIS, FR
The attribution to Pompeo Batoni has been confirmed by Professor Francesco Petrucci based upon a photography of the artwork.
This impressive study of a nude man belongs to a series ...
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Old Masters 18th Century Nude Drawings and Watercolors
Materials
Paper, Chalk
The Captive, Study of a Naked Man, Red Chalk Study, Carracci Gallery
By Annibale Carracci
Located in London, GB
Red chalk on paper
Image size: 11 x 5 1/2 inches (28 x 14 cm)
Mounted
This 18th century drawing is after the work of the 16th Century Italian artist Annibale Carraci. This figure, along with many more, were painted by Carraci in the Palazzo Farnese in a space now known as the Carracci gallery. The Carracci gallery is considered as one of the most important Renaissance commissions in Rome. This figure, along with five other companions, were known as 'The Captives'. They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda.
Annibale Carracci
Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting. The Carracci rejected the artificiality of Mannerist painting, championing a return to nature coupled with the study of the great northern Italian painters of the Renaissance, especially Correggio, Titian, and Veronese.During the 1580s, the Carracci were painting the most radical and innovative pictures in Europe. Annibale not only drew from nature, he created a new, broken brushwork to capture movement and the effects of light on form. His Two Children Teasing a Cat marks a new chapter in the history of genre painting.
The revolutionary potential of this new kind of painting would be taken up over a decade later by Caravaggio, who must have seen the Carraccis’ work while traveling from Milan to Rome in 1592.The Carracci saw themselves as heir to a great artistic tradition, and they consciously situated themselves within the history of northern Italian painting. Annibale and Agostino visited Parma and Venice to study the work of Correggio, Titian, Tintoretto, and Veronese. Their altarpieces and secular fresco cycles in Bologna reasserted a northern Italian emphasis on color, light, and the study of nature, but with a new focus on emotive communication. Their success led to Annibale being invited to Rome to work for the powerful Farnese family (1595). Ludovico remained in Bologna to direct the academy they founded. Through the next generation of painters—Francesco Albani, Domenichino, Guido Reni, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art.
In Rome, Annibale’s painting was transformed through his first-hand encounter with classical antiquity and the art of Michelangelo and Raphael. Individual scenes of ancient mythology are surrounded by an elaborate illusionistic framework with feigned statues, in front of which sit muscular nude figures seemingly lit from the actual windows (Galleria Farnese ceiling). The corners are opened to painted views of the sky. When unveiled in 1600, the ceiling was instantly acclaimed as the equal of any work in the past. In combining northern Italian naturalism with the idealism of Roman painting, Annibale created the basis of Baroque art. His only challenger in Rome was Caravaggio, whose relation with the past was combative rather than assimilative. Moreover, Caravaggio’s art...
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Renaissance 18th Century Nude Drawings and Watercolors
Materials
Paper, Chalk
18th Century Italian Old Master Drawing Nude Figure Sketches Male & Female
Located in Cirencester, Gloucestershire
Figurative Sketches
Italian School, mid 18th century
circle of Pompeo Batoni (1707-1787)
charcoal and pencil, heightened with white chalk, unframed...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
Chalk, Charcoal, Pencil
French School 18th century, The Judgement of Paris, original drawing
Located in Paris, FR
French School 18th century,
The Judgement of Paris,
Pen and back ink and black ink wash on paper
14.5 x 17 cm
Framed : 28 x 31 cm
The particularly fine execution of this 18th century drawing is reminiscent of the style of the great draughtsmen of the period, but at this stage there is no sure way of attributing it.
The theme of the work is obviously well known, the Judgement of Paris was particularly popular, and we remember its treatment by Antoine Watteau, but it crosses the whole history of art.
The Judgement of Paris is a story from Greek mythology, which was one of the events that led up to the Trojan War and in later versions of the story to the foundation of Rome :
Eris, the goddess of discord, was not invited to the wedding of Peleus and Thetis. In revenge, Eris brought a golden apple, inscribed, "To the fairest one," which she threw into the wedding. Three goddesses...
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Old Masters 18th Century Nude Drawings and Watercolors
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Located in PARIS, FR
We would like to thank Marco Riccòmini for his help in preparing this note and in particular for pointing out the existence of the drawing in the Musei Civici of Reggio Emilia.
The ...
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Old Masters 18th Century Nude Drawings and Watercolors
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Chalk
After Michelangelo - 18th Century Sanguine, Detail from the Creation of Adam
Located in Corsham, GB
A sanguine study of a male torso in the manner of Old Master drawings. The study is possibly after a detail from Michelangelo's (1475-1564) 'The Creation of Adam' (c.1508-1512) in th...
Category
18th Century Nude Drawings and Watercolors
Materials
Chalk
Original Male Nude Study Drawing By Ziesenis
Located in San Francisco, CA
Original early 18th C. male nude study graphite drawing by Johann Ziesenis (1716-1776)
Artwork: 9" x 12.5" (sight)
Frame: 16.5" x 20.5"
Johann Georg Ziesenis was a German – Danish portrait painter.
His father Johan Jürgen Ziesenis was a painter from Hanover who had been granted Danish citizenship in Copenhagen in 1709 and whose works included a 1739 Baptism of Christ for Copenhagen's garrison church. After drawing lessons from his father, Johann lived in Düsseldorf, where he gained further training and painted several portraits of the royal family. In 1764 he became court painter at Hanover and in 1766 he was granted 400 kroner by the Danish king "for travel and other expenses". In 1768 he was in the Netherlands, where he produced portraits of William V...
Category
18th Century Nude Drawings and Watercolors
Materials
Paper, Pencil
Louis-Félix de La Rue (1730-1777) Venus at Vulcan's Forge, drawing
Located in Paris, FR
Louis-Félix de La Rue (1730-1777)
Venus at Vulcan's Forge
Brown ink on paper
19.5 x 32 cm
In good condition, only a small spot on the lower right see phot...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
Ink
Reclining Youth, 18th Century Nude Graphite on Paper
Located in London, GB
French School
18th Century
Reclining Youth
Graphite and charcoal on paper
Image size: 15 x 23 inches (38 x 58.5 cm)
Wash line mount and gilt frame
Painting in eighteenth-century Fra...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
Charcoal, Graphite
Pietro Antonio Novelli, study from a work a Marteen De Vos, 18th, ink/watercolor
Located in Florence, IT
This drawing, ink and watercolors on light blue paper, is a study based on a engraving by the flemish artist Maarten De Vos. It belongs to Pietro Antonio Novelli, that was an Italian painter and engraver.
Novelli trained with the Venetian painter Jacopo Amigoni...
Category
Other Art Style 18th Century Nude Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Louis-Félix de La Rue (1730-1777) A Mythological scene, drawing
Located in Paris, FR
Louis-Félix de La Rue (1730-1777)
A biblical or mythological episode
Signed and dated lower right (under the mount, see photos of the drawing out of frame)
...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
Ink
Antoine Borel (1743-1810), A sleeping Nymph and a Satyr, watercolor
By Antoine Borel
Located in Paris, FR
Antoine Borel (1743-1810)
A sleeping Nymph and a Satyr
Signed lower left
Watercolor on paper
13 x 16.5 cm
Stains and foxings, yellowed (as visible in the pictures)
Framed : 25 x 28 ...
Category
Old Masters 18th Century Nude Drawings and Watercolors
Materials
Watercolor