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William Perkins BabcockNude Portrait of Woman with Infantc. 1850s
c. 1850s
$2,800
£2,137.79
€2,470.19
CA$3,930.67
A$4,381.14
CHF 2,298.63
MX$53,500.88
NOK 29,105.71
SEK 27,509.32
DKK 18,436.14
About the Item
This delicate graphite drawing by William Perkins Babcock captures an intimate and timeless moment between a woman and a child. Known for his refined draftsmanship and sensitivity to the human form, Babcock's work in this piece is a study in both grace and emotion. The nude figures are rendered with exquisite attention to anatomy and detail, highlighting the natural curves and subtle expressions that convey a deep connection between the subjects. The gentle shading and soft lines create a sense of warmth and tenderness, while the minimalistic background allows the figures to take center stage. This drawing is a beautiful example of Babcock's ability to evoke a powerful narrative through simplicity and technical skill. This painting comes in excellent condition!
- Creator:William Perkins Babcock (1826 - 1899, American)
- Creation Year:c. 1850s
- Dimensions:Height: 15 in (38.1 cm)Width: 9.5 in (24.13 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fredericksburg, VA
- Reference Number:1stDibs: LU2574214926422
William Perkins Babcock
William Perkins Babcock was an American artist who lived between 1826 and 1899. An expatriate painter, noted for figure painting of peasants as well as Classical, Biblical scenes, mythology subjects, and still lifes, William Babcock was born in Boston, Massachusetts but lived most of his life in France. In 1847, he became one of the first Americans to study with Thomas Couture in Paris. He then went to the village of Barbizon where, along with other American artists, he did peasant genre paintings. He became good friends with Jean-Francois Millet, a leading Barbizon painter, whose figure painting much influenced Babcock. Babcock introduced William Morris Hunt to Millet, and, in turn, Hunt became a strong exponent of the Barbizon School of painting in America. Although he continued to live in Paris and died in that city, Babcock had a good market for his work in Boston. The Boston Museum of Fine Arts has a large collection of his works. His painting has been described as having a "strong poetic strain" and a "Venetian feeling for form, color and light, in a manner reflecting Couture and Titian.
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