Auguste Legras

Auguste Legras (1817-1887) Portrait of a young man in profile, drawing signed

circa 1860

France circa 1820 Portrait of a gentleman Black chalk and pastel on paper 12 x 10 cm In its original mount, modern oak frame : 25 x 22.5 cm

Jules Boilly (1796-1874) Portrait of a young man, in uniform, signed and dated 1837 on the lower left charcoal and heightenings of blue, red and white chalk on paper 27.5 x 21.5 cm Framed : 41.8 x 36 cm This drawing is a good illustration of Jules Boilly's own style, obviously very different from his father's realistic acuity. There is something softer, more velvety, lighter, and we can see it clearly in the way he renders the features of this young man. Julien-Léopold Boilly (30 August 1796 – 14 June 1874), also known as Jules Boilly, was a French artist noted for his album of lithographs Iconographie de l'Institut Royal de France (1820–1821) and his booklet Album de 73 portraits-charge aquarellés des membres de l'Institut (1820) containing watercolor caricatures...

French Romantic school, circa 1840 Portrait of a young man, charcoal on paper 22.5 x 17 cm In good condition, however, there is a restoration of the paper in the upper right-hand qu...

Octave Denis Victor Guillonnet (1872 - 1967) A naked young woman seated Charcoal and red chalk on thin paper transfered on cardboard 49 x 39 cm Framed : 55.5 x 45.5 cm Octave Denis...

In this collection, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...

Garibaldi is a wonderful colored original drawing (chalk, charcoal and oil pastels) by an anonymous artist in 1880. A superb drawing representing the Italian hero of the unification...

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence of womanhood from a woman's perspective. Initialed in cartouche lower right literature: "The Silver Pencil", Hardy, Harper's Monthly, June 1912, pg. 22 Elizabeth Shippen Green (September 1, 1871 – May 29, 1954) was an American illustrator. She illustrated children's books and worked for publications such as The Ladies' Home Journal, The Saturday Evening Post and Harper's Magazine. Education Green enrolled at the Pennsylvania Academy of the Fine Arts in 1887 and studied with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh.[2] She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith. New Woman As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became “increasingly vocal and confident” in promoting women's work, and thus became part of the emerging image of the educated, modern and freer “New Woman”.[4] Artists "played crucial roles in representing the New Woman...

A really charming, early 19th century portrait of a young maiden carrying a basket of flowers. The face is beautifully painted with a slight blush to her cheeks and striking touches ...