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Accademic Study of girl’s head. By Enrico Reffo

$240.20

£176.90

€200

CA$326.77

A$363.11

CHF 190.28

MX$4,452.94

NOK 2,426.85

SEK 2,283.09

DKK 1,522.57

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About the Item

Academic studi of girl’s head. Charcoal on colored paper. By Enrico Reffo. This artwork is part of a collection of approximately twenty preparatory drawings, figure studies, and sketches on wooden panels by Enrico Reffo (1831-1917), a renowned Italian painter specializing in sacred art. These works represent preliminary studies for altarpieces and other religious compositions, offering a rare insight into the artist’s meticulous creative process. The drawings come directly from Reffo’s own studio and were preserved by his most trusted pupil and artistic heir, Luigi Guglielmino. This particular study exemplifies Reffo’s distinctive style, which blends academic precision with a deep spiritual vision. His works, though firmly rooted in 19th-century religious art, resonate with a refined mysticism and a subtle echo of the Pre-Raphaelites, evident in his elongated, ethereal yet realistic figures. His delicate floral motifs and harmonious compositions further enhance the contemplative quality of his sacred subjects. Reffo was among the last great painters of faith at a time when religious art was losing prominence in mainstream artistic circles. His paintings and drawings are featured in several important churches in Piedmont, including the Church of San Domenico and the Sanctuary of the Consolata in Turin. This rare preparatory study offers a unique opportunity to acquire a fragment of the creative process of one of Italy’s leading sacred painters of the 19th century. Enrico Reffo (1831-1917) – Biography Enrico Reffo was born in Turin, Italy, on July 31, 1831, and became one of the leading painters of 19th-century Italian sacred art. His career was deeply rooted in academic training, yet his work transcended mere technical precision to convey a profound sense of mysticism and spiritual contemplation. At a time when religious painting was losing prominence in favor of historical and genre subjects, Reffo remained faithful to sacred themes, developing a style that combined technical refinement, serene yet intense devotion, and an ethereal, almost Pre-Raphaelite quality. His elongated figures, infused with delicacy and realism, often appear immersed in a meditative atmosphere, reflecting his deep religious convictions. His works also display a subtle ornamental sensibility, with floral decorations and finely detailed elements that enhance their spiritual aura. Reffo’s artistic career was closely tied to the Collegio degli Artigianelli in Turin, a prestigious institution dedicated to educating young artisans and artists. There, he founded and directed a school of painting and sculpture, training many pupils, including his most devoted student and heir, Luigi Guglielmino. His paintings and frescoes adorn numerous Piedmontese churches, including the Church of San Domenico and the Sanctuary of the Consolata in Turin. Reffo’s ability to convey expressive spirituality and harmonious compositions made his work highly sought after by religious institutions. Despite his significant contributions to 19th-century sacred art, his name remains less well known outside ecclesiastical circles. However, his dedication to faith-inspired art and his ability to elevate traditional religious themes through luminous and contemplative imagery make him one of the last great sacred painters of his time. Enrico Reffo passed away in Turin on July 16, 1917, leaving behind a remarkable legacy that continued through Luigi Guglielmino, who carefully preserved his studio and artistic heritage. This biography provides a well-rounded introduction to Reffo’s life and work. Let me know if you’d like any refinements!

Attributed to:

Enrico Reffo (1831 - 1917, Italian)

Dimensions:

Height: 12.6 in (32 cm)Width: 9.85 in (25 cm)

Medium:

Paper,Pencil

Movement & Style:

Academic

Period:

Late 19th Century

Framing:

Framing Options Available

Condition:

Gallery Location:

Firenze, IT

Materials

Paper, Charcoal

Category

Late 19th Century Portrait Paintings

Materials

Canvas, Oil

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