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Otto VautierPortrait of Couple by Otto Vautier - Graphite on paper - 25x18 cm
$800
£618.14
€714.63
CA$1,130.46
A$1,267.88
CHF 663.97
MX$15,406.02
NOK 8,431.32
SEK 7,993.49
DKK 5,334.31
About the Item
Otto Vautier (1863-1919) was a German artist active during the late 19th and early 20th centuries. He was born into a family with artistic roots, as the son of Benjamin Vautier the Elder, a renowned artist.
His work emerged during a period marked by significant artistic transitions, from traditional academic styles to the rise of modernist movements such as Impressionism and Symbolism. Vautier's art likely reflects these influences, blending realism with emerging modern techniques.
Known for his detailed and expressive style, Vautier may have focused on themes such as landscapes, portraits, and scenes of everyday life, capturing the essence of his era. His work remains appreciated by collectors of late 19th and early 20th-century art and is featured in specialized exhibitions or auctions.
Artwork sold with frame (42x52 cm)
- Creator:Otto Vautier (1863 - 1919, Swiss)
- Dimensions:Height: 9.85 in (25 cm)Width: 7.09 in (18 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Geneva, CH
- Reference Number:1stDibs: LU1434215472312
A man of great beauty and distinction, a Baudelairean dandy, the son of a very famous painter, Otto Vautier loved women and he loved painting them. He loved Geneva, where he chose to live, and which he illustrated in large allegorical panels, one of which is entitled "the triumph of beauty", where the woman has the capital role of indicating the way of arts at the City of Calvin. Otto Vautier is a virtuoso of all techniques, from oil to pastels, from pencil to charcoal and watercolor. Master of light, he is above all a painter of intimacy which is played out in the secret space of a room, where the curtains draw light shadows. The diffuse sensuality of his models arouses reverie. Their clothes are painted with quivering touches; white dazzles and is juxtaposed with pink and blue, the painter's favorite color accord, a sign of his love for 18th century French painting.
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