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Pier CanosaUntitled: Portrait of a Woman1969
1969
$500
£379.66
€434.17
CA$698.57
A$776.97
CHF 405.71
MX$9,454.84
NOK 5,181.50
SEK 4,859.33
DKK 3,240.39
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About the Item
Pier Canosa (Italian, b. 1940), "Untitled: Portrait of a Woman", Abstract Figurative/ Portrait Charcoal Drawing Signed and Dated on Paper, 24.50 x 18.50, Late 20th Century, 1969
Colors: White, Blue, Orange, Yellow
Pier Canosa was born in Vasto, Italy in 1940.
He has traveled a lot, especially along the oceans' streets. So, in his youth, he was lucky
to visit the American museums with the benevolent help of the Italian Consul General, Vittorio Corderò
of Montezemolo. These, having noticed the graphic ability of the young man, introduced him to some great ones
collectors of the time such as David Rockfeller, who bought one of his early works.
Although, after some time, he has visited many European and Italian museums as well .
Pier Canosa has always proclaimed himself self-taught.
Constantly in love with every formal elegance, he favored the artists of Art Nouveau,
the pre-Raphaelites to finally reach the Nordic culture mannerists.
From the rigor of the initial monochromes, it has gradually reached the current chromatic accents.
It constantly abandons itself to the ironic and the bizarre implicitly rejecting every oneirically restless inclination.
The large cruise ships (Homeric, Oceanic, Federico Costa), were the headquarters of his first personal.
Since 1968, he lives and works in Genoa.
- Creator:Pier Canosa (1940)
- Creation Year:1969
- Dimensions:Height: 24.5 in (62.23 cm)Width: 18.5 in (46.99 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU75233552891
Pier Canosa
Pier Canosa was born in Vasto, Italy in 1940. He has traveled a lot, especially along the oceans' streets. So, in his youth, he was lucky to visit the American museums with the benevolent help of the Italian Consul General, Vittorio Corderò of Montezemolo. These, having noticed the graphic ability of the young man, introduced him to some great collectors of the time such as David Rockfeller, who bought one of his early works. Although, after some time, he visited many European and Italian museums as well. Canosa has always proclaimed himself self-taught. Constantly in love with every formal elegance, he favored the artists of Art Nouveau, the pre-Raphaelites to finally reach the Nordic culture mannerists. From the rigor of the initial monochromes, it has gradually reached the current chromatic accents. It constantly abandons itself to the ironic and the bizarre implicitly rejecting every oneirically restless inclination. The large cruise ships (Homeric, Oceanic, Federico Costa), were the headquarters of his first personal. Since 1968, he has lived and worked in Genoa.
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