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Circa 1930 ink poster project, titled "Modes" Art deco fashion

Circa 1930

This original 1931 ink poster project was created as a concept for the Exposition Coloniale Internationale, held in Paris from May to November 1931. The striking black-and-white composition features a bold, angular depiction of a man in traditional North African attire, set against an architectural backdrop reminiscent of Islamic and colonial influences. The typography, arranged in a dynamic diagonal layout, gives the piece a sense of power and movement. As a preliminary design, this ink project was likely part of a larger effort to develop the visual identity of the Exposition Coloniale, which was one of the most significant international exhibitions of its time. The exposition, hosted in Bois de Vincennes, aimed to showcase the cultural, economic, and artistic achievements of France’s colonial empire, with pavilions representing territories such as North Africa, Indochina, and West Africa. The artwork's bold contrasts, dramatic perspective, and modernist style reflect the Art Deco and early 20th-century graphic design trends, emphasizing strong geometric forms and high-impact visuals. As a hand-drawn project, it provides a fascinating glimpse into the creative process behind exhibition advertising, where artists experimented with layouts, typography, and imagery before finalizing a printed poster. Today, this ink poster project is a historical artifact, offering insight into both colonial-era propaganda and vintage graphic...

Gouache and watercolor Very beautiful original work of Yvon Taillandier and his famous capitipedes ("capi" for head and "pède" for foot). Yvon Taillandier's work is related to free...

50000 Reverso Izquierdo (Framed) by Rodrigo Spinel From The Series Paper money is white Chinese ink on Fabriano paper 250 g. Image size: 29.7 cm H x 14 cm W Frame size: 41 cm H x ...

Florentine, Probably Seventeenth Century Titled L’ultime parti note nel Indie occidentali Dated on the edge of the cartouche: “M.D. LXIII. M.AG” [1564…the month of August] In the 1560s Cosimo I de’Medici, the powerful Duke of Florence, undertook a major renovation of the Palazzo Vecchio, the venerable palace that to this day dominates the city at the Piazza della Signoria. For the Sala della Guardaroba, literally the wardrobe room, but in fact the storeroom of the Duke’s most precious holdings, Cosimo conceived of a grand decorative project that was to reflect in one space the entire cosmos --both an indication of the Duke’s ambition and an allusion to his name. The plan, supervised by Giorgio Vasari, involved the construction of walnut cabinets to contain the Medici treasures, on the outside doors of which were to be placed large hand-painted maps specially commissioned to document and illustrate the current knowledge of the world. Portraits of famous men were to decorate the tops of the cabinets and two large globes –one representing the terrestrial world, the other celestial—were to descend from openings in the ceiling. The commission for the maps, inspired by Ptolemy’s Geographia, was given to the celebrated mathematician and cosmographer, Fra Egnazio Danti (Perugia 1536-1585 Alatri). Fifty-three maps were ultimately created. Thirty were conceived and executed by Danti between 1563 and 1575. The remaining twenty-three were completed by Stefano Bonsignori between 1576 and 1686. They remain in place in Florence in the room for which they were created. The present work is an exact-size painted, drawn and inscribed copy of Danti’s map of California...