Vincenzo Bizzarri

Sagalassos Upper Agora - Drawing by Vincenzo Bizzarri -2016

2016

This work entitled "Sagalassos Arc 2" was made by Vincenzo Bizzarri in 2016 with ink and watercolor on rough notebook paper 200gr (21x14,8cm). It is part of a series of illustrations...

This work entitled "Sagalassos Arc 1" was made by Vincenzo Bizzarri in 2016 with ink and watercolor on rough notebook paper 200gr (21x14,8cm). It is part of a series of illustrations...

Roman Forum with Characters is an original China ink drawing attributed to Giulio Zek in 1961. The artwork is in good conditions on a cream coloured cardboard (70x50). Hand signed ...

Landscape is an artwork realized  in the 20th Century. Drawing.  The artwork is in good conditions . The artwork is depicted skillfully through confident strokes with a dynamic co...

Title: French Watercolor of Ancient Roman Ruins with Arches and Columns by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, mounted on card Size: 11.75 x 15.75 (height x width) Provenance: From the artists atelier collection, South of France Description: This captivating watercolor by Robert Lepine depicts the grandeur of ancient Roman ruins with an exquisite blend of historical reverence and artistic detail. The painting focuses on the crumbled walls...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research. In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...

Il piccolo ma ben definito disegno raffigura una veduta dettagliata del Santuario della Madonna di San Luca, sul colle della guardia a Sud Ovest della città di Bologna. Può essere a...

Sorry for the reflections on the glass, but I didn't want to take this lovely frame apart. The close-ups are much better. This is a highly accomplished, superbly detailed watercolor of a the facade of a building in Rome, depicting Corinthian columns, a frieze and a free-standing tributary sculpture above. Image area itself is 10.5" x 6.25", framed size is 19.5" x 14". Matted and presented in a pretty antique wood frame that has some flaws from an apparently long history but is perfectly serviceable, as you can see. Exquisite detail, so hard to accomplish with watercolor. Came from august Houston...