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Style: Abstract
Medium: Permanent Marker
Declaration (Hand Signed by Mark di Suvero) print of famous Venice CA sculpture
Located in New York, NY
Mark di Suvero
Venice Art Walk (Hand Signed), 2001
Offset Lithograph Poster (Hand Signed)
Boldly signed by Mark di Suvero in marker on the front
36 × 24 inches
Unframed
Very rare whe...
Category
Early 2000s Abstract Expressionist Art by Medium: Permanent Marker
Materials
Lithograph, Offset, Permanent Marker
Doric (Hand signed by Sean Scully)
By Sean Scully
Located in New York, NY
Sean Scully
Doric (Hand signed by Sean Scully), 2012
Hardback monograph (hand signed by Sean Scully on the title page)
Hand signed by Sean Scully for the present owner at a special ...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Mixed Media, Permanent Marker, Lithograph, Offset
Blue Blossom unique signed work on handmade hand dyed paper ex Tupperware Coll.
Located in New York, NY
Margie Hughto
Blue Blossom, 1983
Dyed Handmade paper
Hand signed and dated by the artist on the lower right front. Titled on the back.
Frame Included in ...
Category
1980s Abstract Art by Medium: Permanent Marker
Materials
Dye, Handmade Paper, Mixed Media, Permanent Marker
Contemporary Abstract Artwork Only Fans By Ed Warner 2023
Located in Barcelona, Barcelona
At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Acrylic, Permanent Marker
Veiled Series L, Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Early 2000s Abstract Expressionist Art by Medium: Permanent Marker
Materials
Paper, Ink, Watercolor, Permanent Marker
1980s "Brown DNA" Abstract Marker Drawing
By John Peters
Located in Arp, TX
John Peters 1927-2019
"Brown DNA"
1980s
Marker on paper
8"x10" brown wood frame float mount over linen mat 11"x12.75
Unsigned, came from a portfolio of the artist's work
Category
1980s Abstract Art by Medium: Permanent Marker
Materials
Archival Paper, Permanent Marker
Flight. Abstract light composition. 2020. Paper, mixed media, 70x49 cm
Located in Riga, LV
Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Abiļevs. He works in etching, lithography and various mixed...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Paper, Mixed Media, Acrylic, Permanent Marker
American Contemporary Art by Katherine Filice - Let's Go The Long Way Around
Located in Paris, IDF
Oil & marker on canvas
Katherine Filice is an award-winning American abstract artist born in 1963 who lives and works in Hollister, Northern California, USA. Her work is known for its exploration of environmental topics, with a focus on our human understanding of centuries-old forests, particularly concerned with articulating the energy, memories, and stories that vibrate through the ancient trees and woodland landscapes. Filice's artistic development has been shaped by a blend of traditional art education and invaluable guidance from artists, critics, and educators through various critique programs. She has also garnered over 100 design awards for her commercial work. In addition, Filice holds a BS degree from the University of San Francisco. Her extensive education and professional experience have greatly influenced her exploration of human relationships and their reflection within our environment. Katherine has exhibited her work in solo and group exhibitions throughout the United States, Europe, and Asia. Her paintings and drawings are held in private and corporate collections worldwide. Her most recent solo exhibitions include “Lost & Found” at 1202 Contemporary and "Lost in the Woods" at the Pacific Art...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Canvas, Oil, Permanent Marker
"Yellow Coconut", 1981, Drawing by John Chamberlain
Located in Long Island City, NY
Artist: John Chamberlain, American (1927 - 2011)
Title: Yellow Coconut
Year: 1981
Medium: Marker and pencil on newsprint, signed 'JC' l.r.
Image Size: 19.25 x 8.5 inches
Size: 19.25 ...
Category
1980s Abstract Expressionist Art by Medium: Permanent Marker
Materials
Newsprint, Permanent Marker, Pencil
Free White 3 – Textured White and Black Abstract Painting on Paper, 2025
Located in BIELSKO-BIAŁA, PL
„Free White 3" is an abstract mix media painting on paper, measuring 59,5 x 42 cm, by contemporary Polish artist Monika Widenka.
The painting doesn’t show everything — it opens a sp...
Category
2010s Abstract Expressionist Art by Medium: Permanent Marker
Materials
Paper, Acrylic, Permanent Marker, Pencil
ABSTRACT Black Human Old Painting Contemporary Artist Ed Warner Reinterpretation
Located in Barcelona, Barcelona
At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Permanent Marker, Oil, Wood Panel
Architectural Abstract
Located in Soquel, CA
Abstract composition with subtle color variation by Laura Bowman (American, 20th Century). Signed "Laura Bowman" on verso. This piece has been re-lined and laid down on canvas, with ...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Permanent Marker
Materials
Canvas, Acrylic, Permanent Marker
$280 Sale Price
20% Off
"Probably Not a Code" - Abstract Composition
Located in Soquel, CA
Composition of symbols against an abstract background by California artist Devon Brockopp-Hammer (American, b. 1986). Titled, initialed "DJBH", and date...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Canvas, Acrylic, Permanent Marker
$260 Sale Price
20% Off
Living the high life (Abstract Painting)
Located in London, GB
Living the high life (Abstract Painting)
Acrylics, spray paint, marker and oil on canvas - Unframed.
Artwork is exclusive to IdeelArt. This artwork wil...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Canvas, Oil, Spray Paint, Acrylic, Permanent Marker
Entrances and Exits
Located in Buffalo, NY
Harriet was born and raised in Brooklyn, New York, and lived with her husband in Park Slope for over 35 years.
She attended the Brooklyn Museum School at age 14 where she establis...
Category
1970s Abstract Expressionist Art by Medium: Permanent Marker
Materials
Acrylic, Pen, Permanent Marker, Watercolor
Graffiti Style Abstract Blue and Black Mixed Media Painting on Paper
Located in New York, NY
Renelio Marin is a visual artist with a diverse range of influences and styles. Born in Cuba, he received his graduate degree from the San Alejandro School of Fine Arts in Havana in ...
Category
2010s Abstract Expressionist Art by Medium: Permanent Marker
Materials
Acrylic, Permanent Marker
Beyond the Visible, Original Marker Drawing by Agam
By Yaacov Agam
Located in Long Island City, NY
Diagonal lines in pink, pink, orange, and black make up the composition of this original drawing by Yaacov Agam. Signed above the printed text ’Agam’.
Title: Beyond the Visible
Medi...
Category
1980s Abstract Geometric Art by Medium: Permanent Marker
Materials
Archival Paper, Permanent Marker
Starfall. Item 5
Located in Zofingen, AG
The series of drawings is called Starfall. I was inspired by space, the starry sky, clouds and natural phenomena. I also like to play with linear rhythms and spots of color.
Paintin...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Paper, Acrylic, Watercolor, Permanent Marker, Digital
Starfall. Item 1
Located in Zofingen, AG
The series of drawings is called Starfall. I was inspired by space, the starry sky, clouds and natural phenomena. I also like to play with linear rhythms and spots of color.
Painting...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Paper, Acrylic, Watercolor, Permanent Marker, Color
Dawn. Abstract composition. 2021. Paper, mixed media, 48x71 cm
Located in Riga, LV
Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Abiļevs. He works in etching, lithography and various mixed...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Paper, Mixed Media, Acrylic, Permanent Marker
$453 Sale Price
20% Off
Primary Process Violet
By Nancy Hillis
Located in Santa Cruz, CA
Primary Process, Violet, Nancy Hillis. Red violet, blue violet, white, and gold abstract expressionist large scale acrylic and mixed media painting on paper. 56.5" x 42". Gestural expression and impasto brushstrokes. Contemporary abstract painting that is predominantly violet with washes of white. Large scale contemporary painting...
Category
2010s Abstract Expressionist Art by Medium: Permanent Marker
Materials
Acrylic, Permanent Marker, Pencil, Color Pencil
Indian Contemporary Art by Sumit Mehndiratta - Drawing 454
Located in Paris, IDF
India ink, acrylic paint and marker on archival watercolour paper
Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Archival Paper, Permanent Marker
$720 Sale Price
20% Off
Veiled Series XX , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Early 2000s Abstract Expressionist Art by Medium: Permanent Marker
Materials
Paper, Ink, Watercolor, Permanent Marker
Indian Contemporary Art by Sumit Mehndiratta - Drawing No. 424
Located in Paris, IDF
Indian ink and marker on archival paper, artwork will be shipped rolled up in a tube
Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He ha...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
India Ink, Archival Paper, Permanent Marker
$520 Sale Price
20% Off
Veiled Series X , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Early 2000s Abstract Expressionist Art by Medium: Permanent Marker
Materials
Paper, Ink, Watercolor, Permanent Marker
Veiled Series LX , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Early 2000s Abstract Expressionist Art by Medium: Permanent Marker
Materials
Paper, Ink, Watercolor, Permanent Marker
Hybla Fair Bedrock
Located in Dallas, TX
Derived from photographs of subsistence craters formed in the aftermath of underground atomic tests, in the creation of Hybla Fair Bedrock, from the Bedrock Underground Tests series,...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Permanent Marker
Materials
Wood, Glitter, Acrylic, Permanent Marker
$1,440 Sale Price
20% Off
Obar Bedrock
Located in Dallas, TX
Derived from photographs of subsistence craters formed in the aftermath of underground atomic tests, in the creation of Obar Bedrock, from the Bedrock Underground Tests series, I use...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Permanent Marker
Materials
Wood, Glitter, Acrylic, Permanent Marker
$1,440 Sale Price
20% Off
All You Need Is Less
Located in New York, NY
Original Painting
Created with Molotow and Posca paint markers.
48 x 60 x1.5 inches medium texture cotton canvas
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Paint, Permanent Marker
$8,800 Sale Price
20% Off
Indian Contemporary Art by Sumit Mehndiratta - Drawing 449
Located in Paris, IDF
41 x 61 x 0.1 cm each
Marker ink and acrylic paint on archival paper
Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Mast...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Paper, Acrylic, Permanent Marker
$960 Sale Price
20% Off
Language Arts
Located in New York, NY
Original Painting
Created with Posca and Krink paint markers.
48 x 60 x 1.5 inches on medium texture cotton canvas
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Paint, Permanent Marker
Colchester, bold energetic gestural mixed media abstraction
By C. Dimitri
Located in Brooklyn, NY
Abstract, inventive depiction of an English landscape where the painter studied.
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Canvas, Charcoal, Oil, Spray Paint, Permanent Marker
Indian Contemporary Art by Sumit Mehndiratta - Drawing 452
Located in Paris, IDF
Marker on archival paper
Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fashion Marketi...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Archival Paper, Permanent Marker
$480 Sale Price
20% Off
Plays, large abstract with figure and text elements on canvas
By C. Dimitri
Located in Brooklyn, NY
A sort of cityscape/skyscape concerned with simplicity, minimalism, negative space, and a story of art and the stock market.
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
Canvas, Gesso, India Ink, Acrylic, Permanent Marker
Indian Contemporary Art by Sumit Mehndiratta - Drawing No. 423
Located in Paris, IDF
Indian ink and marker on archival paper, artwork will be shipped rolled up in a tube
Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has...
Category
2010s Abstract Art by Medium: Permanent Marker
Materials
India Ink, Archival Paper, Permanent Marker
$520 Sale Price
20% Off
Watercolor Multimedia Figural Painting on Paper, 2022
Located in New York, NY
Renelio Marin is a visual artist with a diverse range of influences and styles. Born in Cuba, he received his graduate degree from the San Alejandro School of Fine Arts in Havana in ...
Category
2010s Abstract Geometric Art by Medium: Permanent Marker
Materials
Tempera, Permanent Marker, Color Pencil
Untitled, Original Abstract Painting, 2020
Located in Boston, MA
Artist Commentary:
This piece was included in the first ever Area Code Art Fair! Area Code is the first ever art fair to specifically feature artists with ties to New England
Keywords: abstract, patterns, blue, red, X, crosses
Artist Biography:
Tyler Sorgman...
Category
21st Century and Contemporary Abstract Art by Medium: Permanent Marker
Materials
Canvas, Acrylic, Permanent Marker
Marker Drawings - Framed Untitled Diptych 3 - Abstract Modern - Fine Art Print
By Robert Witz
Located in New York, NY
Untitled Diptich 3 is a limited edition print of marker drawings by Robert Witz. This multicolored abstract contemporary print comes on cotton paper and framed in Natural Wood Shadow...
Category
21st Century and Contemporary Abstract Art by Medium: Permanent Marker
Materials
Digital Pigment, Permanent Marker
Veiled Series XXX, Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
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Permanent Marker art for sale on 1stDibs.
Find a wide variety of authentic Permanent Marker art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Angel Rivas, Michael Alan, Guillaume Cornet, and Miriam Singer. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Permanent Marker art, so small editions measuring 0.01 inches across are also available
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