Anna Caser

Seuza Veuto

Sherry Giryotas’s abstract paintings are full of vibrant colors that elicit a journey of sorts, particularly those that are predominately blue and gree...

Japanese artist Tomo Mori has lived worldwide after leaving her hometown of Osaka, Japan, including the Caribbean, Latin America, and West Africa. She now lives in New York City. Mor...

Tomo Mori's canvas on canvas collage paintings captures her memories of emotion. The diffused forms suggest the complexity and ambiguity of how the memories can change their colors ...

Bob Cross's Lantern bright and playful textural gems are acrylic, charcoal, and conte on canvas. Cross is a painter, printmaker, and sculptor. He earned a Bachelor of Fine Arts Degre...

Valerie Beller’s abstract paintings encourage visual exploration. Organic forms are both revealed and concealed amidst layers of paint. The streaked and stained surfaces of the canva...

Valerie Beller’s abstract paintings encourage visual exploration. Organic forms are both revealed and concealed amidst layers of paint. The streaked and stained surfaces of the canva...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

"Warm Lagoon" is a mixed media work on panel by Audra Weaser, with asymmetric organic shapes in white and blues atop a shimmering cloudy blue background. Weaser's reductive techniqu...

"Warm Tides" is a contemporary acrylic mixed media on panel by Audra Weaser, with asymmetric organic shapes in shades of yellow and gold with a shimmering, clouded background of blue...

"Cool Waters" is a contemporary acrylic mixed media on panel by Audra Weaser, with asymmetric organic shapes in shades of yellow and blue with a shimmering, clouded background of blu...

"Secret Falls" is a contemporary abstract mixed media work on panel by Audra Weaser, with asymmetric organic shapes in shades of yellow and green with a shimmering, clouded backgroun...