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Axel SjöbergSwedish Winter Landscape in Sandhamn1924
1924
$5,021.70
£3,713.45
€4,200
CA$6,949.28
A$7,737.60
CHF 4,026.50
MX$93,391.38
NOK 50,495.99
SEK 47,696.64
DKK 31,983.23
About the Item
Archipelago Winter Landscape, Sandhamn,
Watercolor and charcoal on paper, signed and dated, Axel Sjöberg 1924, original frame.
This beautiful winter landscape from Sandhamn in the Swedish eastern archipelago, painted in 1924, is a very fine example of Axel Sjöberg’s artistry. The scene captures the quiet, serene atmosphere of a snow-covered archipelago in the diminishing light by the low winter sun. The green pines frame the view, contrasting with the soft, snow-covered ground in the foreground and the dimly lit sky and sea in the far background. Sjöberg masterfully employs watercolor and charcoal to evoke the subtle interplay of light and shadow, creating a sense of depth and tranquility.
Johan Axel Sjöberg (1866–1950) was a Swedish painter and illustrator, renowned for his depictions of the Stockholm archipelago. Born in Stockholm in 1866, Sjöberg grew up on Skeppsholmen next to the water and, where his early exposure to maritime life influenced his art. His mother came from Vira bruk in Roslagen, further deepening his connection to the Swedish countryside and coastal landscapes.
Sjöberg trained at the Royal Swedish Academy of Fine Arts in Stockholm from 1885 to 1892. He initially worked as a lithographer at the General Staff’s Lithographic Institute, where he became one of the earliest Swedish artists to experiment with photography as a tool for artistic documentation. His artistic breakthrough came with the publication of "Bland kobbar och skär" (1900), a collection of texts and illustrations portraying life in the archipelago, which earned him praise from August Strindberg. Strindberg famously remarked, "The man I've been waiting for has finally arrived—the one who could see the unique beauty of Sweden’s otherwise petty nature: the eastern archipelago!"
In the mid-1890s, Sjöberg settled in Långviksskär, part of the outer Stockholm archipelago, where he rented a cottage from local fishermen. He befriended the acclaimed wildlife painter Bruno Liljefors, who owned the nearby Bullerö archipelago. The two artists often hunted birds together, and the rugged, windswept archipelago landscapes became a lifelong source of inspiration for Sjöberg.
In 1920, Sjöberg moved to Sandhamn, a strategic and culturally rich location at the entrance to Stockholm. By the early 20th century, Sandhamn had become a popular summer retreat for writers, artists, and Stockholm’s social elite. Despite his new residence, Sjöberg frequently returned to Långviksskär, where he maintained a studio and retained fishing and hunting rights.
Sjöberg’s work reflects his deep connection to the Stockholm archipelago and the lives of its inhabitants. His paintings of fishermen, coastal farmers, and winter landscapes elevated these subjects to a monumental status, comparable to the historical and mythological themes of earlier Scandinavian art. His use of watercolor, particularly in portraying the changing seasons and light conditions of the archipelago, demonstrated remarkable technical skill.
Sjöberg exhibited widely during his lifetime. He participated in the Exposition Universelle in Paris in 1900, where he won a silver medal, and he was included in the Venice Biennale in 1907, 1920, 1938, and 1942. Major solo exhibitions took place at Liljevalchs in Stockholm in 1909 and 1918, as well as in Copenhagen in 1917. His later adoption of expressionism led to friction with the conservative Swedish art establishment, but he received encouragement from fellow artist Anders Zorn.
In 1947, Sjöberg was awarded the prestigious Egron Lundgren Medal by the Swedish Academy of Fine Arts for his contributions to watercolor painting. Posthumously, his work has been honored through several exhibitions, including a retrospective at the Royal Swedish Academy of Fine Arts in 1951 and a major show at Kulturhuset in Stockholm in 1984. A statue of Sjöberg by Carl Eldh stands outside the Sandhamn Inn, commemorating his artistic legacy.
Axel Sjöberg’s work is held in major Nordic museums, including:
Nationalmuseum ( the Nationalmuseum in Stockholm), Göteborgs Konstmuseum, Malmö Museum, Statens Museum for Kunst (Copenhagen), Prins Eugens Waldemarsudde (Stockholm), Värmlands Museum, (Karlstad), Royal Library (Stockholm) and others.
Axel Sjöberg’s art captures the harsh yet beautiful reality of life in the Stockholm archipelago. His winter landscapes, such as the present Winter Landscape in Sandhamn, remain enduring symbols of Sweden’s coastal heritage and natural beauty.
Sandhamn – A Jewel of the Stockholm Archipelago
Sandhamn is a picturesque island located in the outer Stockholm archipelago, known for its rich maritime history and its status as a premier destination for sailing and boating enthusiasts. Strategically situated at the entrance to Stockholm, Sandhamn has long served as a key harbor for seafarers navigating the Baltic Sea.
By the late 19th century, with the rise of steamboat travel, Sandhamn became a popular summer retreat for Stockholm’s elite, including writers, artists, and nobility. Its unique blend of natural beauty — sandy beaches, rugged cliffs, and dense pine forests — combined with its vibrant social scene, established Sandhamn as a prestigious and exclusive destination within Swedish maritime culture.
Today, Sandhamn remains a hub for sailing, hosting major regattas, including the famous Round Gotland Race (Gotland Runt), which attracts top sailors from around the world. Its idyllic setting, charming red cottages, and lively harbor make it a beloved destination for both adventure and relaxation.
- Creator:Axel Sjöberg (1866 - 1950, Swedish)
- Creation Year:1924
- Dimensions:Height: 24.02 in (61 cm)Width: 30.71 in (78 cm)Depth: 1.38 in (3.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The colors and paper is well preserved and in good condition.
- Gallery Location:Stockholm, SE
- Reference Number:1stDibs: LU2608216039802
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