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Christo and Jeanne-Claude
Wrapped Statues/West Germany

1988

About the Item

Wrapped Statues/West Germany Christo (Bulgarian, 1935-2020) Mixed Media Hand-signed lower right Numbered PP 1/10 lower left 35 x 27 inches 39.25 x 31.25 inches with frame An environmental installation artist and painter of architectural landscape drawings, Christo has become known for "wrapping" famous buildings and geographical landmarks with plastic and woven-fabric sheets. His projects, usually with the assistance of his wife and dealer Jeanne-Claude, include wrappings of the "Berne Kunsthalee" in 1968, a coastline area in Australia; the Reichstag, in Berlin; and the Pont Neuf in Paris. In California, he built a running fence 18 feet high and 24.5 miles long and in Japan and California, created a running series of 3,100 umbrellas. In February 2005, the Christos oversaw the installation of one of their most attention-getting endeavors, The Gates, Central Park, New York, 1979-2005. Opening February 11 and lasting sixteen days, it was the biggest art project in the history of New York City. Seventy-five hundred frames, sixteen feet high, were placed at intervals along 23 miles of footpaths in the park. Suspended from the frames were orange tinted fabric banners, intended to convey a "splash of sunrise" and what Javacheff Christo described as "a visual golden river". But declining to say much about the project, the artist said: "This project is not involving talk. It's a real, physical space. It's not necessary to talk. You spend time, you experience the project". (Tribune) Javacheff Christo was born in Gabrovo, Bulgaria, on June 13, 1935, the same day as his wife, Jeanne-Claude. He studied at the Fine Arts Academy in Sofia from 1952 to 1956, and then worked at the Burian Theatre in Prague in 1956. He did further study in Vienna in 1957, and the following year went to Paris where he began creating wrapped, packaged objects. He and his wife have lived primarily in New York City, although they travel frequently. They do not use their last name, Javacheff, although their son Cyril took the last name of Christo. According to Bedford McIntosh, "In the past few years they have come to refer to themselves as the 'artists Christo and Jeanne-Claude,' recognizing her critical role in the projects. The titles on their more recent projects reflect this." Funding for the site-specific works come from the sale of preparatory drawings, documents, and sculptures.

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