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Eustace Mamba
"Pink Hair Lady", Portrait of Black Woman in Sewn Textile Collage

2025

$1,300
£993.92
€1,144.79
CA$1,821.70
A$2,033.76
CHF 1,065.66
MX$24,895.16
NOK 13,533.86
SEK 12,760.71
DKK 8,543.72
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About the Item

"Pink Hair Lady" is an original artwork by Eustace Mamba and measures 14"h x 11"w x 1.25"d. The artists cuts, arranges, sews, and collages fabric and paints to create layers of texture and color. This piece is signed en verso and ships with a gallery-issued Certificate of Authenticity. Mamba feverishly documents his surroundings, characterizing the historical and cultural charge of his neighborhood while also being inspired by passersby. His process swells as he introduces found materials to build his characters: cigar wrappers, cardboard, fabric, and foil are identifiable yet are expertly tied together through Mamba’s signature sewn patterns and neon underpainting. His visible sewing notably brings together disparate objects to form engaging portraits or subway scenes, highlighting the labor and care he takes in constructing his artwork. He does not shy from recycling or deconstructing a work in progress back into raw material for his next piece. He leaves stitching as a token of memory as if his thread ties together the collective memory of his community near and far. Mamba leans into the necessity of using found material or old paintings, as each upcycled textile holds a story that is yet to be discovered and can be given a second life through his work. Influenced by his West Indian heritage and Manhattan upbringing, Eustace's interdisciplinary artistic practice spans painting, sculpture, experimental design, and digital media. Through the integration of everyday objects, his recent work delves into themes of Black Subjectivity and Afro-Pessimism, challenging colonial image norms and symbolizing unity with the recurring motif of thread. Eustace sees his artistic dialogue as a scientist's exploration, unveiling new dimensions within himself and inviting viewers to contemplate the complexities of contemporary society. "Black Subjectivity and Afro-Pessimism continue to influence my art as I strive to deviate from colonial image norms. Threads connect the images, symbolizing unity and societal forces. Like a scientist, I engage in an ongoing dialogue of discovery, to uncover new dimensions within myself.” -Eustace Mamba Influenced by his West Indian heritage and Manhattan upbringing, Eustace's interdisciplinary artistic practice spans painting, sculpture, experimental design, and digital media. Through the integration of everyday objects, his recent work delves into themes of Black Subjectivity and Afro-Pessimism, challenging colonial image norms and symbolizing unity with the recurring motif of thread. Eustace sees his artistic dialogue as a scientist's exploration, unveiling new dimensions within himself and inviting viewers to contemplate the complexities of contemporary society.

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"Sista Annie Mae" is an original piece by Shawn Theodore made from hand-crafted paper collage and acrylic and archival ink on Epson Hot Press Natural paper on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This piece measures 36”h x 48”w and comes with a gallery-issues Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...
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