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Georges Noel"Villa Adrienne #17" Georges Noel, Constructivist, Architectural1976
1976
$23,200
$29,00020% Off
£18,121.04
£22,651.3020% Off
€20,542.36
€25,677.9520% Off
CA$33,259.80
CA$41,574.7520% Off
A$36,484.18
A$45,605.2320% Off
CHF 19,089.09
CHF 23,861.3620% Off
MX$434,234.40
MX$542,79320% Off
NOK 241,106.84
NOK 301,383.5520% Off
SEK 226,162.53
SEK 282,703.1620% Off
DKK 153,421.85
DKK 191,777.3220% Off
About the Item
Georges Noel
Villa Adrienne #17, 1976
Graphite, pigment, sand, and vinyl binder on canvas
Signed to verso
76 3/4 x 51 inches
The Pace Gallery label to verso
With restless strokes cutting into a dense mix of sand and pure pigment, Georges Noël works and reworks his surfaces, endlessly overlaying and eliminating in a return to the principle of the palimpsest. The tracks he leaves bring to mind both written script and mysterious shamanistic signs: all his life Noël sought inspiration in literature and the rites of archaic cultures.
A member of the Resistance during the war, then a draughtsman, he painted in isolation before moving to Paris in 1956. Represented by Galerie Paul Facchetti, he was marked by Informal Art and in particular the textures of Dubuffet, Brassaï and Fontana. In 1968 he moved to New York, where contact with Hard Edge and Minimalist artists led to a radically pared-down turn in his painting. Back in Paris fourteen years later, he returned, although in a more structured way, to his Informal explorations, which he also applied to sculpture.
A nomad at heart, he exhibited frequently in France – there were retrospectives at the Centre National des Arts Plastiques in 1985 and the Musée des Beaux-arts in Pau in 2007 – as well as in Europe and Japan.
- Creator:Georges Noel (1924 - 2010, French)
- Creation Year:1976
- Dimensions:Height: 76.75 in (194.95 cm)Width: 51 in (129.54 cm)
- More Editions & Sizes:Unique piecePrice: $29,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841214453752
Georges Noel
Georges Noël was born in Béziers, France in 1924. He began his education as an engineering student and then studied both painting and sculpture in Pau from 1939-1945. An innovator of the art informal movement, and greatly influenced by Noveau Réalisme that emerged at this time, Georges Noël believes in gesture, objects and the accident. The imagery within each oh his paintings is inspired by primitive and archaic symbols, graffiti art and musical scores. After moving to Paris in 1955, his artistic career began to flourish, and it continued to accelerate when he relocated to the United States. Beginning in the 1950s and continuing through 2000 Georges Noël produced both canvases and works on hand-made papers, which were based on palimpsests. Palimpsests are old manuscript pages often made of parchment or vellum that have been written on, scraped off and then used again. During this process, the old writing would not be completely erased and would often still be visible. Georges Noël takes the concept of palimpsest pages and builds upon his canvasses with sculptural materials such as sand, crushed flint, and raw pigments bringing three dimensionality and vigor to each work. Georges Noël was a professor at the Minneapolis School of Art in 1969 and lived in New York from 1969-1983. He returned to Paris in 1983. The artwork of Georges Noël has been exhibited internationally and is included in the collections of the Metropolitan Museum of Art, the Bibliothèque Nationale and F.N.A.C. in Paris, and the Nationalgalerie in Berlin.
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