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Hayley Nichols
THERE (STUDY WITH THREE STAPLES)

$1,000List Price

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Sognare I
By Kim Fonder
Located in Tulsa, OK
Sognare I by artist Kim Fonder is a abstract contemporary white, grey, and gold mixed media on burlap painting that has texture and is minimal. This painting meausures 67 x 49 and is priced at $5,900. Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each piece; these two attributes remain her focus. She seeks to honor Leonardo Da Vinci’s words, “Simplicity is the ultimate sophistication. Born Corvallis, Oregon creative director, aberson exhibits master of science in applied behavioral studies, school psychometrics bachelor of science degree education group shows and juried exhibitions biting the apple, IAO gallery, oklahoma city, oklahoma 1999 mayfest invitational gallery tulsa, oklahoma may 1999 biting the apple,IAO gallery, may 2001 mayfest invitational gallery may 2002 j joseph gierek fine art/ group show tulsa, oklahoma 2003-2004 oklahoma visual artists coalition “visionmakers” January 2006 “oklahoma friendly” oklahoma artist guild, march 2008 -honorable mention- “personal space” gallery RFD swainsboro, georgia october 2008 tubac center for the arts tubac, arizona october 2008 artspace international juried exhibition raleigh, north carolina november 2008 gallery shows fashionhaus, manhattan, new york june 2008 jordan art gallery corsicana, texas october 2008 marziart international galerie, hamburg, germany october 2008 helen yi, chicago, illinois october 2008 exhibit by aberson tulsa, oklahoma april 2009 fashionhaus, manhattan, new york 2010 leslie powell...
Category

2010s Minimalist Mixed Media

Materials

Burlap, Mixed Media

SOGNARE XXII
By Kim Fonder
Located in Tulsa, OK
SOGNARE XXII by Kim Fonder is a Mixed Media on Burlap that measures 40.00 X 40.00 in and is priced at $3,100.00. Kim Fonder loves texture and touch. Her paintings and furniture refl...
Category

2010s Minimalist Mixed Media

Materials

Burlap, Mixed Media

Rejects the Complexities of Life
By John Randall Nelson
Located in Tulsa, OK
"Rejects the Complexities of Life" by John Randall Nelson is a 19" x 19" acrylic and mixed media piece on panel. The artwork features a symbolic glass of wine placed against a vibran...
Category

2010s Abstract Abstract Paintings

Materials

Mixed Media, Acrylic

Wavering Wish
By John Randall Nelson
Located in Tulsa, OK
John Randall Nelson's "Wavering Wish" presents a deep black background accented with subtle hints of blue. The artwork depicts a dice, outlined in vivid yellow and blue, floating in ...
Category

2010s Abstract Abstract Paintings

Materials

Mixed Media, Acrylic

Bianca Tilt
By Kim Fonder
Located in Tulsa, OK
Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each ...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Mixed Media

Collage No. 2
By Kim Fonder
Located in Tulsa, OK
Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each ...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Mixed Media, Paper, Handmade Paper

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Deep Creek Seeps 10, Minimalist painting inspired by Agnes Martin New Mexico art
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Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...
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