Henar Iglesias

Abstract Feather Wall Artwork, 3-dimensional Red and Green feathers, 2025

2025

"Growth Rings IV" by Spanish artist Henar Iglesias is a one of a kind organic shaped abstract partridge feather and gold leaf work. This work mimics the growth rings of a tree. The f...

"Lost Threads" is an abstract paper artwork by Bianca Severijns. Severijns paints and hand-tears hundreds of paper pieces that she arranges, layers, merges, and weaves together into ...

"I've Dreamed in Colors #3" by Cécilia Lusven is handwoven from linen and off-cut leathers. Lusven's signature style involves hand-cutting the leather s...

"Through the Window" by Cécilia Lusven is handwoven from linen and off-cut leathers. Lusven's signature style involves hand-cutting the leather scraps i...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Seymour Franks Duo, 1947 Signed and dated lower right Oil on canvas 44 x 37 inches Seymour Franks, 1916-1981, originated from New York City, where he was born in 1916. At just 16 y...

Abstract painting on paper image: 18 x 24 inches paper size: 22 x 30 inches Contemporary minimalist abstract painting on a beautiful thick, creamy white Arches paper, unframed. Ins...

SALE ONE WEEK ONLY "Red Harmony" is an abstract painting that does have a sculptural presence in the shapes of the red areas. The lush greens blend various shades into a background that while it does contrast sharply with the reds, it is not in conflict. The overall effect of this work is dynamic in its energy while at the same time harmonious. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Antonow’s first one-person show at the Willis Gallery in 1971, represented a radical departure from his early work – abstract bronzes shown at the Michigan Artists exhibitions at the Detroit Institute of Arts in 1969 and 1970. A founding member of the Willis, Antonow publicized his exhibition with a cryptic invitation stating, “art isn’t anything.” Echoing the challenge implicit in the exhibition announcement, the works in the show consisted of precariously balanced piles of such non-art materials as wood crates and barrels, corrugated paper or cardboard, cellophane and beer cans. These brash, paint-slathered juxtapositions of salvaged objects were perhaps the first example of the nascent “tough art” aesthetic of the Cass Corridor. (Both Gordon Newton’s wood constructions and Bob Sestok’s crude “radio wheels” first appeared in 1972.) In 1975, in the inaugural group exhibition of the Willis at its new location in the Fisher Building...