Hillary Waters Fayle

Contemporary Botanical Flora Textile Embroidery Leaves Natural Earth Collage

2017

Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Black in Gold (2017) by Hillary Waters F...

Amanda Besl Bergenshine, 2025 Oil on panel Signed on reverse Amanda Besl’s Bergenshine is a vibrant meditation on life cycles, femininity, and the strange seduction of the natural w...

Black in Gold series, 2017 Camellia leaves and hand dyed thread 12 x 12 inches Hillary Waters Fayle is an artist from Elma, New York. Fayle received an MFA in Craft/Material Stud...

Amanda Besl Shelf Life, 2024 Oil on canvas 31 x 23 inches Signed on reverse In Shelf Life, Amanda Besl constructs a visually arresting still life that fuses botanical precision wit...

In this contemporary botanical textile artwork, a white oak leaf is composed of delicately stitched donated clothing, textiles, notions, and guitar string ball-ends, in dark brown, d...

Garden Blooms No. 5 is a botanical collage artwork created with Hand Cut dyed and painted paper by Deborah Weiss. The artwork is 22x22. It is framed to...

Japanese Botany, Original Contemporary Abstract Mixed Media Textile Wall Hanging Artist Commentary: INSPIRED IN JAPANESE AESTHETICS Keywords: Abstract, Nature, patterns, circles, ovals, white Artist Biography: My artwork is engaged to nature and its recurrent patterns and rhythms. I use them as a base in order to create my compositions. I´m attracted to repetitive sequences, combining separate elements to form a cohesive group. It isn’t a strict conceptual idea of repetition on itself; my work doesn’t seek to impose an order or structure, but rather to enjoy the rhythm of repetition. Silk and paper have the softness and malleability that I need in order to create my desired forms, shapes and even shadows. The process to carry out my work is thorough and methodical. I choose as materials small and simple elements; such as feathers made out of paper and silk and then organized in a precise order. This allows me to build a group of entities that end up being the final artwork. My goal is to create projects that inspire, connect and touch people emotionally, taking the viewer on a journey through different ethereal, botanical and peaceful landscapes. I was Born in Santiago, Chile in 1973. I grew up surrounded by Chilean...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work explores the manipulation of surface texture, light, and the interweaving of time. It is not about translating a world that already exists, but about an entrance into a different universe. A timeless, tactile world of sensation and overlapping memory. Combining Renaissance ideals and concepts with images taken from contemporary media, Natasha Zupan beautifully unites the old and the new in her collage work. Natasha combines the innovation of her elaborate technique with her charm for tradition and the inspiration of the great Masters. Her clear, bright brushstrokes and her play of light and shadow are both rhythmic and youthful. The female figures in her paintings have an undeniable Renaissance character at the time, but they are reborn in our understanding of contemporary aesthetics. Their classic faces become modern nymphs when combined with symbols of nature and beauty. Each figurative work harbors a unique and intricate personality. Powerfully expressive, they are at once pure, sensual, innocent and seductive. From Tactile Memory Series silk leaves, acrylic, glass on canvas...