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Hugo Garcia-Urrutia
Soaring Sky High, fine art abstract on maple wood, NYC, water towers & blue sky

2024

About the Item

Soaring Sky High, part of the “Wooden Postcards” series, lifts the viewer above Union Square’s rooftops, capturing New York’s iconic water towers against a vast blue sky. Shot with a Holga camera and cross-processed medium format film, the scene is rich with layered meaning. White oak serves as the substrate, with the wood grain's patterns echoing the sky’s textures, reinforcing the piece's organic connection to the city's landscape. The film sprockets frame the image, creating a cinematic window through which the viewer sees the city’s architectural beauty and open sky. This fusion of wood and film transforms the everyday skyline into a serene, almost surreal composition that invites contemplation of both natural and urban environments. ARTIST STATEMENT In their ongoing series, Wooden Postcards, Hugo Garcia Urrutia and MK Semos merge their talents to craft a striking blend of image and form. Recycled materials create a foundation from which the artists explore themes of the universal human experience, cultural memory, and environmental consciousness, transforming everyday textures into evocative, layered compositions. Their collaborative process results in a visual narrative that captures the nostalgic essence of a place, blending urban decay with vibrant charm. This dynamic body of work celebrates iconic cities of the world that serve as cultural epicenters and melting pots— New York, London, and Mexico City, among others. The urban landscapes are depicted as living organisms that cradle diverse ideas, cultures, and histories, each with their own unique pulse. The work reflects not only the physical sprawl of city-life but also the internal experiences of those who inhabit these spaces. Semos incites the artistic journey using a manual Holga film camera, a tool that allows her to create layered, intuitive compositions by overlapping frames and double-exposing film. Her analogue cross-processing technique amplifies the original color-pallate of the photograph, injecting each scene with a degree of heightened saturation that reflects the vibrancy of urban spaces. Through this technique, Semos captures a tapestry of vivid signs, pop-colored elements, and unexpected codes that form visual storyboards. These narratives reveal moments of congregation and migration that celebrates the ebb and flow of everyday life. The absence of human figures is intentional. Rather, her images capture a residual energy, whispering secrets of unseen pedestrians whose movements are traced through the footprints they’ve left behind. Urrutia use of unconventional substrates parlay the work into to another dimension. Through an intensive process of integration, Urrutia fuses the photographic images to reclaimed hardwood while leaving space for the natural grain and texture of the material to become part of the composition itself. Imbued with its own history, the recycled hardwood echoes the bustling foot traffic of urban life and adds a tactile layer that evokes the very essence of the cities depicted— the wear, movement, and impact of countless lives passing through. Through Wooden Postcards, Urrutia and Semos explore the profound, layered interactions between people, places, and materials, inviting the viewer to contemplate the unseen yet deeply felt imprints we leave on the world around us.

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Rays of City Light, fine art photography on maple wood, yellow and orange NYC
By Hugo Garcia-Urrutia
Located in Dallas, TX
Part of the “Wooden Postcards” series by husband and wife team Hugo Garcia-Urrutia & MK Semos, "Rays of City Light" is shot using cross-processed medium format film and a Holga camera. The imagery is a vibrant New York City street scene, showing an iconic yellow taxi cab and abstract orange patterns and "rays of light" emulating from the buildings. The frames are manually juxtaposed inside the camera to create “rays” emulating from the urban chaos of taxi cabs and skyscrapers. Urrutia crafts the substrate from white oak flooring, with the natural wood grain becoming an essential element of the composition. The choice of white oak, with its natural grain visible through the film overlay, reinforces a sense of history and urban grit, allowing the wood itself to become an active part of the composition. HUGO GARCIA URRUTIA Hugo Garcia Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson, and University of Dallas and the McKinney Avenue Contemporary (MAC) in Dallas curated by Charissa N. Terranova. Together with the AA-DLAB 2012 team, Urrutia presented the Fallen Star at the Architectural Association Back Member’s Room. MK SEMOS MK Semos is a Greek-American artist whose work is deeply rooted in her passion for storytelling. Raised in Dallas, Texas, her artistic journey began at the Booker T. Washington School for the Performing and Visual Arts and later at the University of Texas at Austin, where she earned degrees in photojournalism and photo illustration. It was in New York City during the vibrant 1990s that her artistic vision crystallized. Captivated by the city's energy, Semos photographed its dynamic urban landscapes and eclectic people, using her SL 66 Rolleiflex camera to capture movement and emotion. Even after three decades, she finds endless inspiration in the city’s pulse, describing it as an "endless source of inspiration." Semos’ work spans travel, portraiture, and environmental photography, with her mastery of the Holga camera earning her recognition in publications like New York Magazine, Business Traveler, and Timeout NY. Alongside her husband, Hugo Garcia Urrutia, she co-founded DeCorazon Gallery, showcasing global artists and exhibiting her own works in prestigious art fairs around the world. Semos also serves on the board of the Association of Women Art Dealers...
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