Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Paul Wirhun
Collage made of Eggshells: 'Skully 3'

2019

$569
£432.17
€497.07
CA$795
A$886.52
CHF 462.55
MX$10,877.93
NOK 5,887.50
SEK 5,578.28
DKK 3,709.85
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

I have worked on eggshells since I was a child, learning the traditional Ukrainian craft of pysanky from my mother. This artistic and cultic use of eggs informs my work to this day - as I believe that eggs are events - not simply objects. The shells (while the protective casing for the new life inside) are memories of the primal events that produced the eggs, intended as new life. To infuse new life into this ancient craft, I have manipulated traditional processes with innovative dyeing & brush techniques, scratching, and etching, to forge a new visual language to write on this versatile, organic sphere. Each egg is a spherical space, a continuously turning pictorial plane around which images distort, challenging common perceptions. The facility of the shell for a range of techniques (batiking, scratching, painting, gilding) affords me a great range of visual expression to manifest ideas, events, and fantasies. All this intentional imagery is created on a three-dimensional object that is so weightless in the hand as to affect a paradox of meaning, playing simultaneously with the egg as talisman and sculpture. Eggshells break! The detritus of broken shells has become new source material for collage, painting and eggshell encrusted sculptures. I have explored what eggshells do after epoxied to found wood, thus there is a recycling theme that has grown into my studio practice; the shells are reused as is the found wood. This studio expression has allowed me to explore what happens when things fall apart, and how we recreate our lives from the broken shards left behind. These new eggshell encrusted surfaces mimic the digitalization that appears in many new forms of art, yet these surfaces are what manifests when tiny pieces of fragile shells fracture into a new worldview – nothing is quite as it seems and something new appears. My studio motto has been: Ancient design for a new worldview. Little would I know that it would take broken eggshells as a metaphor to this world breaking apart, to find newer and truer meaning to this adage!
  • Creator:
    Paul Wirhun (1961)
  • Creation Year:
    2019
  • Dimensions:
    Height: 13 in (33.02 cm)Width: 11 in (27.94 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    Seller: PW/Skully 31stDibs: LU42234744172

More From This Seller

View All
Collage made of Eggshells: 'Skully 2'
Located in New York, NY
I have worked on eggshells since I was a child, learning the traditional Ukrainian craft of pysanky from my mother. This artistic and cultic use of eggs...
Category

2010s Contemporary Figurative Paintings

Materials

Plaster, Mixed Media, Wood

Collage made of Eggshells: 'Skully 1'
Located in New York, NY
I have worked on eggshells since I was a child, learning the traditional Ukrainian craft of pysanky from my mother. This artistic and cultic use of eggs...
Category

2010s Contemporary Portrait Paintings

Materials

Plaster, Wood, Mixed Media

Mosaic eggshell painting: 'DF #6'
By Paul Wirhun
Located in New York, NY
‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

Eggshell painting: 'DF #7'
By Paul Wirhun
Located in New York, NY
‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

Eggshell Painting: 'Totem 1'
By Paul Wirhun
Located in New York, NY
‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

Eggshell painting: 'Shango'
By Paul Wirhun
Located in New York, NY
‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

You May Also Like

Outsider Art Mixed Media Collage Montage. 'Les Mots Exquis des Eskimos.'
By Armand Avril
Located in Cotignac, FR
Ousider Art mixed media montage titled 'Les Mots Exquis des Eskimos' ( The exquisite words of the Eskimos ) by French artist Armand Avril, signed, dated 2010 and titled to the revers...
Category

21st Century and Contemporary Outsider Art Mixed Media

Materials

Wood, Plywood, Oil

Chinese Graffiti Pop Artist Kwok, Mixed Media Collage
By Kwok Mang Ho
Located in Surfside, FL
Filipino Fire by Frog King Kwok (Hong Kong, born 1947) Arguably the most prolific performance artist in Hong Kong, Frog King Kwok (Kwok Mang Ho) in his ubiquitous artistic persona ‘Frog King’, blurs the boundary between everyday life and art, a practice of a perpetual nature, which the artist describes as ‘no beginning and no ending’. The advent of the information age made Kwok realize that a massive amount of photographs and news coverage of his performances as well as his early site-specific, process-based installations have been accumulating and circulating on the Internet. The information and images exist in a way that defies chronology; photographs from The Plastic Bag Project (1978) are as prominent on Google as a picture taken the month before at a gallery opening. It is fascinating for an artist who is approaching seventy to witness almost five decades of his artistic career collapsing into a single plane. The new installation titled Time, created at Connecting Space for Mobile M+: Live Art...
Category

20th Century Contemporary Mixed Media

Materials

Mixed Media

Original Vintage Collage by Wayne Timm #7
By Wayne Timm
Located in West Palm Beach, FL
Vintage Paper and Adhesive collage by Wayne Timm. (Mat opening) or Image measures 11 3/4 x 12.5 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, ...
Category

1960s Abstract Mixed Media

Materials

Paper, Adhesive, Magazine Paper

Let There Be Life : contemporary collage
Located in New York, NY
Bruce Pollack creates contemporary collages using digital photo images infused to aluminum. His works are bright and dynamic. The artist juxtaposes various images to create a vibra...
Category

2010s Contemporary Mixed Media

Materials

Mixed Media, Digital

Mixed Media Outsider Visionary Art Polaroid Photo Collage Painting 2 sided
By Tom Carapic
Located in Surfside, FL
This one includes Albert Einstein amongst other drawing. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...
Category

20th Century Outsider Art Mixed Media

Materials

Mixed Media, Polaroid

"Untitled, " Acrylic and Paper Collage on Canvas
Located in Houston, TX
This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1977 Acrylic and Paper Collage on Canvas...
Category

1970s Contemporary Figurative Paintings

Materials

Canvas, Acrylic