Elizeveta Pugacheva

waxing moon, 100x100 cm, oil on canvas

2024

In my artistic practice, I focus on the image of the work of the soul, explore the boundaries of this concept, the possibilities of its definition outside the binary opposition of ma...

ARMS AT YOUR SIDE, 70x70 cm. Oil Paint

In my artistic practice, I focus on the image of the work of the soul, explore the boundaries of this concept, the possibilities of its definition outside the binary opposition of ma...

MORNING, 100x70cm. Oil Paint

Composition 7777, 2018., 95x100 cm Abstract composition. Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

Monroe Hodder, American, b. 1953 Slow Dancing, 2014 Oil on canvas Signed, titled, and dated verso Provenance: Purchased in 2014 from Duane Reed Gallery, St....

St Ives, Cornwall is an original landscape painting by Trevor Waugh using oil, brush and palette knife on canvas. Trevor Waugh was born in 1952 and grew up in London available with Wychwood Art. Trevor studied at The Slade School of Fine Art from 1970 -1974 (BA) under the guidance of Sir William Coldstream, Professor of The Slade at the time, Patrick George, Philip Sutton, David Hockney, Euan Uglow and Bernard Cohen. During his time at The Slade he was invited by Sir William Coldstream and Patrick George to exhibit alongside them at The Collegiate Theatre at University College, London, 1971. He was also a contributor to The Young Contemporaries Exhibition at The Royal Academy 1972. Trevor obtained a distinction for his post-graduate certificate in illustration when he studied with Ernest Jones...

Painted from the promenade overlooking the beach at Scarborough on a cold, grey day. Nothing like a bit of Yorkshire grey. ADDITIONAL INFORMATION: Oil on Canvas 61 H x 76 W x 2 D cm...