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Kim Dingle
Rare "Why I am a Vegetarian" Kim Dingle Art Plate

1994

About the Item

Kim Dingle, Pop artist and social commentator, was born in Pomona, California in 1951. She is known for cartoon-related images of little girls in surreal situations that explore both personal and perceived societal dilemmas. Dingle received her Bachelor of Fine Arts degree in 1988 from California State University, Los Angeles, and her Master of Fine Arts degree in 1990, from the Claremont Graduate School, California. selected group exhibitions 2014 “Secrets and Lies” Museum of Contemporary Art, San Diego 2014-2015 "The Avant Garde" Orange County Museum of Art 2014 Collezione Maramotti, Reggio Emillia, Italy 2013 “Untitled (Giotto’s O) , Sperone Westwater, Lugano, Switzerland Museum of Contemporary Art, 6 October – 14 January 2001; P.S.1Contemporary Art Center/MOMA Affiliate, Long Island City, 4 “Uncomfortable Beauty,” Jack Tilton/Anna Kustera, New York, 8 December 2000 – 13 January 2001 “Pop & Post-Pop (On Paper),” Texas Gallery, Houston, 23 January – 3 March 2001 MOMA, New York "Mapping" Robert Stor curator Los Angeles County “Made in California: Art, Image and Identity, 1900-2000,” Museum of Modern Art San Francisco, 22 October 2000 – 25 February 2001 “The Darker Side of Playland San Francisco Museum of Modern Art, 1 September 2000 – 2 January 2001 (catalogue) "Whitney Biennial," Whitney Museum of American Art, New York, 23 March – June 2000 (catalogue) "Arte Americana; Ultimo Decennio," Museo d'Arte della Citta di Ravenna, 1999 "Looking at Ourselves: Works by Women Artists from the Logan Collection," San Francisco Museum of Modern Art, 9 January–20 April 1999 (catalogue) 1998 "Family Viewing," Museum of Contemporary Art, Los Angeles "Presumed Innocence," Anderson Gallery, School of the Arts, Virginia Commonwealth University "Sunshine and Noir: Art in L. A. 1960–1997, - Louisiana Museum of Modern Art, Humlebaek, Denmark, -Kunstmuseum Wolfsburg, Germany - Castello di Rivoli, Turin, Italy, - Hammer Museum, Los Angles, fall (catalogue) "My Little Pretty: Images of Girls by Contemporary Women Artists," Museum of Contemporary Art, Chicago (catalogue) "Women's Work: Examining the feminine in Contemporary Painting," Southeastern Center for Contemporary Art, Winston- Salem, NC, 19 July–30 September (brochure) "Narcissism: Artists Reflect Themselves," California Center for the Arts Museum, Escondido, CA "American Kaleidoscope," National Museum of American Art, Smithsonian Institute, Washington, DC (catalogue) "Playtime: Artists and Toys," Whitney Museum of America Art at Champion, Stamford, CT, (catalogue) "Space of Time," Museum of Contemporary Art, Miami "Inside Out: Psychological Self Portraiture in the 90's," The Aldrich Museum of Contemporary Art, Ridgefield, CT "Gender, Myth and Exploration," University of North Texas, Denton "Wallpaper Works," Contemporary Arts Museum, Houston, TX The Museum of Modern Art, New York, “Mapping” 6 October–20 December curator: Robert Stor (catalogue) "Mapping," -University of Texas at San Antonio, TX; -Santa Barbara Contemporary Arts Forum, CA curator: Francis Colpitt "Bad Girls West," UCLA Wight Gallery, Los Angeles selected collections: Whitney Museum of American Art Museum of Contemporary Art, Los Angeles. Los Angeles County Museum of Art. Museum of Contemporary Art, San Diego, California. Museum of Modern Art, San Francisco National Museum of American Art, Smithsonian Institute, Washington D.C. Corcoran Gallery, Washington DC Denver Museum of Art Museum of Contemporary Art, Seattle, Washington Norton Family Foundation Collezione Maramotti, Reggio Emilia, Italy Zabludowicz Collection, London 1 plate from an edition of 50 that were done by well known artists for the PASADENA ART ALLIANCE in 1994, each with artist’s name and Gaetano Pottery stamp on verso, published by the Pasadena Art Alliance, artists included Kim Abeles, Peter Alexander/Gifford Meyers, John Baldessari, Kim Dingle, Fred Fehlau, Gronk, George Herms and Eric Orr.
  • Creator:
    Kim Dingle (1951, American)
  • Creation Year:
    1994
  • Dimensions:
    Height: 13.75 in (34.93 cm)Width: 13.75 in (34.93 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38211177902

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Large Photo Collage Miami Beach Art Deco Neon Architectural Photograph Cuban Art
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Large original, vintage, Ektacolor print collage Depicts art deco architectural facade of Publix building at Dade Boulevard and Alton Road in Miami Beach, Florida. Multiple prints formed into a collage mounted on a stretched canvas. Printed November 1989. Mounted December 1989. dated lower left. Includes protective canvas slip covering. Size: 81"H x 72"W (205.74 cm x 182.88 cm). Provenance: Bass Museum, Miami Beach, Florida This was exhibited at the Norton Museum in Palm Beach and Bears their exhibition label verso. Rafael Salazar (Cuban- American photographer) was born in Cuba in 1945 and has been a South Florida resident since 1965. He has photographed the development of the City of Miami as well as Miami’s budding art scene over the years. He is primarily known for his panoramic photographs and photo assemblage montages which have both a documentary quality to them but are full of enchantment and depth. Of great importance to him is the preservation on film of art works, especially those of a transitory nature, this has led him to photograph two of Christo and Jeanne-Claude projects; Miami’s Surrounded Islands and the Pont Neuf in Paris. He has also documented the works of Fernando García, Ed Ruscha, and Philip Johnson. His work draws inspiration from his love of the cosmos, spirituality, architecture, Eastern philosophy, and nature. He has been exhibiting his fine art both nationally and internationally for many years. Salazar’s images have earned him a reputation as an innovative and sensitive artist. He has close ties with the Miami-Dade Public Library System and photographed much of the development of Main Library as well as the early exhibitions and events held there. He photographed the library’s Artmobile, painted by New York Realist artist Lowell Nesbitt, an art gallery on wheels decorated with zebra patterns and native flowers that was in service from 1976 until 1992. He also documented the Grand Opening Celebration of the Metro-Dade Cultural Center held in 1986. Since its 1970 start, the Permanent Art Collection has been recognized nationally as a fearless reflection of Miami’s diversity, and an invaluable chronicle of its artistic and social history. Their collection includes Elizabeth Catlett, Purvis Young and Emilio Sanchez. "Fact and Fiction: The State of Florida Photography...
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Minimalist Black Oil Painting, Collage, Mixed Media on Canvas Kevin Larmon
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Kevin Larmon, (American, b. 1955), 1985-1986, oil on canvas; hand signed, titled, and dated on the reverse Provenance: bear a Curt Marcos Gallery label verso This is one of a pair we are offering for sale Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University. Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight. Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions. As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner. Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal. From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado. Exhibitions curated by Tricia Collins and Richard Milazzo Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack. Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces took place at Galerie Jurka in Amsterdam during November 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Peter McCaffrey, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Laurie Simmons, Tyler Turkle, Meyer Vaisman, and Oliver Wasow. Final Love took place at the C.A.S.H./Newhouse Gallery in New York from March 15 – April 14, 1985. Larmon was accompanied by artists Ross Bleckner, Peter Halley, Jonathan Lasker, Allan McCollum, Olivier Mosset, Peter Nadin, Bonnie Nielson, Meyer Vaisman, Wallace & Donohue, James Welling, and Stephen Westfall. Cult and Decorum took place at Tibor De Nagy Gallery in New York from December 7, 1985 – January 4, 1986. Larmon was accompanied by artists Ross Bleckner, Sarah Charlesworth, David Diao, Peter Halley, Jeff Koons, Jonathan Lasker, Peter Nadin, Joel Otterson, Ricardo Regazzoni, Robin Rose, Laurie Simmons, Haim Steinbach, Gary Stephan, Philip Taaffe, and Meyer Vaisman. 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