The President of St John's College Oxford Vanity Fair Spy magazine Leslie Ward

1893

Roland "Ao" / "Armadillo" L'Estrange for Vanity Fair Magazine Berks and Bucks 5 November 1903 Lithograph 21 x 37 cm Depicting Sir Robert Rodney Wilmot, in red hunting clothes and whip, of the Berks & Bucks Draghounds at their opening meet. Wilmot was educated at Eton and Oxford, and his hobbies famously included croquet. The Vanity Fair magazine of 1868 to 1914 was subtitled 'A Weekly Show of Political, Social and Literary Wares'. Founded by Thomas Gibson...

Royal Army Service Corps (now Royal Logistics Corps) 1954 uniform Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Nobleman, Cambridge (1815) Aquatint with original hand colouring 30 x 25 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

'Joe' Hentschel-Colourtype. 1910. Vanity Fair portrait of Sir Joseph Lyons who founded the famous Cafe shops. 380mm by 265mm (sheet)

'a sculptor' Vanity Fair portrait of Lord Ronald Charles Sutherland-Leveson-Gower. He was a connoisseur and collector. He practised as a sculpto...

'New York Tribune' Chromolithograph. 1902. Vanity Fair portrait of Whitelaw Reid who was a US politician and newspaper editor. 395mm by 265mm (sheet)

Image dimensions: 31.5 x 18.8 cm. Mr. Chauncey M. Depew is a beautiful chromolithograph on paper, realized by the illustrator Spy for Vanity Fair newspaper, issue of October 26th 1889, and published by Vincent Brooks, day and Son. This is the authentic print, representing a portrait of the President of the New York central Road and Hudson River railroad , Mr. Depew, (1834-1928). Signed on plate on lower right margin with the artist name of Spy. This original print is referred to as "Spy Cartoons...