Jennifer Wolf

Dye Painting #9

2020

Jay Mark Johnson, BIG SUR #4, Big Sur 2012, Archival pigment, paper, aluminum, wood frame, 25.5" x 85.5", Edition 1/9, FRAMED $12,500

This large format, color-photograph belongs to Jay Mark Johnson's wave series - the images from which depict the rhythmic cycling and recycling of oceanfront waves as recorded on remote coastlines around the world--in Hawaii, Florida, California, the Caribbean, Great Britain, Australia and South Africa. These artworks belong to the artist’s ongoing inquiry into the possibilities for timeline photography. For this decades-long project Johnson employs an unconventional camera system to produce seamless delineated renderings of familiar events as they occur over time. The results present an altered view of our surroundings. Artworks from Johnson’s timeline series have been exhibited extensively throughout the U.S. and Europe. They can be found in the permanent collections of the Bundestag (German Parliament) in Berlin, the Zentrum für Kunst und Medientechnologie at Karlsruhe, the Frederick R. Weisman Art Foundation, the Phoenix Art Museum, the Langen Foundation, Hombroich, Germany, the Peter Klein...

The artworks presented in ÍSLENSKIR FOSSAR were produced in Iceland in October of 2021 towards the end of global travel restrictions. Traversing the stark volcanic landscape, Johnson...

The William Turner Gallery is pleased to present ÍSLENSKIR FOSSAR, the fourth solo exhibition of Los Angeles-based, multi-disciplinary artist Ja...

This is an archival pigment print on 3 layers of silk organza with sumi ink and mineral pigments. In 2019, Valley House Gallery presented our first exhibition of work by Chaco Terad...

Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in ...

Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in the series began its evolution as a scanned image of a Buddhist thangka—a spiritual painting of a Buddhist deity—which was then blurred and stretched until all that remained was a distilled image of color and form. These reduced images were then printed onto canvases, resulting in what Kane refers to as elemental “representations of the light bodies of the Buddhas.” Bill Kane...

Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in ...