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Patrick Beaulieu
for intérieur – braise 1

2012

$6,000
£4,495.89
€5,270.50
CA$8,402.96
A$9,418.28
CHF 4,930.60
MX$116,215.90
NOK 61,937.50
SEK 58,302.85
DKK 39,318.26
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About the Item

Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In conversation with a trilogy of on-the-road Odysseys that he will be completing in 2012 with Daniel Canty, Beaulieu brings together natural and manmade remnants from his personal expeditions, breaking down their perceived differences along the way. For intérieur (Deep Down), pays homage to things that once lived, bled, smoldered, and buzzed. Through flat images and installations, a host of natural histories occupy the gallery space in varying size, height, movement, and volume. Portable scanners capture high-resolution images of bloodstained goose feathers, each one given special attention in the center of the scan. These small particles of flight and migration – collected from the forest floor – leave plenty of questions about their former host body unanswered, but float between life and death as independent forms. Forty migratory geese wings, cast in aluminum, seem to quiver above hundreds of programmed LEDs positioned on the gallery floor. Like the bloody spots on the scanned images, the metal coating re-defines the feathers, presumably once supported by life and air. And still the glow of red light seems to whisper a path for continuation. Digital prints of glowing embers freeze the final moment before the scanner explodes from the intense heat of the dying coal. But the show’s smallest installation is perhaps its most powerful. A tiny, black and blue night fly buzzes in tight rotation, audibly hitting the gallery wall again and again during the course of its self-destructive orbit. As with Beaulieu’s Braises, a switch is flipped on, and life is gently pushed back into the process of burning out. The varying elements in Beaulieu’s work are lively, but running throughout you can feel a tension with the absence of life. The missing connections between these fragments and their original energy source are as notable as the images and objects themselves. Cast, scanned, and re-charged, For intérieur shimmers between burial and flight. With this in mind, Beaulieu delivers quiet, intense glimpses that tune in to the rhythmic pulse of life just as they acknowledge its limits, as well as our own. Representations and the tools that make them have their own boundaries. So do we. But by capturing these small, forgotten traces, Beaulieu asks us to reexamine our own vista, and perhaps open our eyes a bit wider.
  • Creator:
    Patrick Beaulieu (1974, Canadian)
  • Creation Year:
    2012
  • Dimensions:
    Height: 58 in (147.32 cm)Width: 42.5 in (107.95 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Montreal, CA
  • Reference Number:
    1stDibs: LU476235572

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for intérieur – braise 4
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for intérieur – braise 3
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By Patrick Beaulieu
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Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual experience. Beaulieu clearly acknowledges his artistic presence in the work through mechanical and digital manipulation of the objects and images he presents. He becomes more than a passive observer and recorder of his physical world; the alteration of conventional photographs implants his voice and vision into the work. This approach directly addresses and contrasts artistic practices which seek to conceal the artist’s hand. His method diverges from those that attempt to present an uninterrupted and uncontaminated record, such as some documentary and straight photography. In using these stylized techniques, Beaulieu makes a palpable proclamation regarding the subjective and flexible condition of images. In Révélations, images of trees, moss, leaves and other natural objects are presented in strict colour schemes of muted grays, browns and greens. Though these colours are familiar components of the natural world that we experience in day-to-day life and in photographs of nature...
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Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual experience. Beaulieu clearly acknowledges his artistic presence in the work through mechanical and digital manipulation of the objects and images he presents. He becomes more than a passive observer and recorder of his physical world; the alteration of conventional photographs implants his voice and vision into the work. This approach directly addresses and contrasts artistic practices which seek to conceal the artist’s hand. His method diverges from those that attempt to present an uninterrupted and uncontaminated record, such as some documentary and straight photography. In using these stylized techniques, Beaulieu makes a palpable proclamation regarding the subjective and flexible condition of images. In Révélations, images of trees, moss, leaves and other natural objects are presented in strict colour schemes of muted grays, browns and greens. Though these colours are familiar components of the natural world that we experience in day-to-day life and in photographs of nature...
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