Arnold Newman

Igor Stravinsky, 1940s Black and White Portrait Photography of the Composer

1946

Calvin Klein on Georgia O’Keeffe’s Bed 1983 Various inscriptions in pencil, verso Gelatin silver print 10.75 x 14 inches, sheet Contact gallery for price.

Half-Draped Torso 1989 Signed, titled, and numbered in pencil, verso Sepia hand-toned silver print (Edition of 15) 20 x 16 inches, sheet

c. 1940s Estate stamp in black ink, verso; Also titled in pencil, verso Vintage gelatin silver print 5 x 4 inches

Blake Little Lifeline (#930001*1) 1993 Signed, titled, dated, and numbered in pencil, verso Toned gelatin silver print (Edition of 25) 15 x 15 inches, image 20 x 16 inches, sheet

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Stu Levy's photographs often involve fragile landscapes that invoke a sense of timelessness. The landscape, is often his stimulus or point of departure, then asking the question, &qu...

Dae-Soo Kim works in Paris and Seoul, while approaching this series with sensitivity and delicacy. In Korea the bamboo plants grow up to 30 meters high, while possessing a high symb...

Farrah Fawcett Writing in her Journal, 1976, People Magazine This photo of Farrah in her mobile home was taken during her lunch hour. Aaron Spelling, the producer of Charlie's Angel...