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Albert MonierParis, Notre Dame Cathedral, Black and White Original Photography Postcardcirca 1950
circa 1950
$280
£212.46
€242.93
CA$391.08
A$434.83
CHF 227.05
MX$5,292.97
NOK 2,897
SEK 2,714.35
DKK 1,813
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About the Item
An original silver gelatin black and white photography postcard by Albert Monier, Paris. Notre Dame Cathedral, circa 1950.
Features:
This original silver gelatin print photography postcard is unframed.
Photographer: Albert Monier (1915 - 1998).
Title: Paris, Notre Dame circa 1950.
Provenance: Private collection.
Image Size: 3.94 in wide (10.4 cm) x 4.72 in high (12.3 cm) - Archivally matted in a 17 in x 13 in mat.
Postcard Size: 3.94 in wide (10.4 cm) x 5.51 in high (14.9 cm).
Dry stamp on the image on the right.
Credit and legend printed on the back: "330 - Paris - La Seine et la Fléche de Notre-Dame - Les Photographies Albert Monier". (330 - Paris - The River Seine and the Arrow of the Notre Dame Cathedral - Albert Monier Photographs).
The piece will be shipped in a mat (17 x 13 in) that fits a standard-sized frame.
Note: Albert Monier (1915-1998) worked outside the established world of commercial printing, creating his postcards on photographic paper in his lab. Using a small number of images, he gained a popular foothold in the postcard photography world, then dominated by Editions Yvon.
Some of the most popular postcards of Paris during the 1950s and 1960s featured the black and white photography of Albert Monier. He had a specific empathy for the men of the working class and those even poorer, and when people do appear in his photography, they are more likely to be homeless or extremely poor than to be nattily dressed.
- Creator:Albert Monier (1915 - 1998, French)
- Creation Year:circa 1950
- Dimensions:Height: 4.72 in (11.99 cm)Width: 3.94 in (10.01 cm)Depth: 0.01 in (0.26 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Vintage wear, age-toning.
- Gallery Location:Atlanta, GA
- Reference Number:Seller: 4F162CEABAB1stDibs: LU1212213706952
Albert Monier
Albert Monier, (1915-1998) worked outside the established world of commercial printing, creating his postcards on photographic paper in his lab. Using a small number of images, he managed to gain a popular foothold in the world of postcard photography, then dominated by Editions Yvon.
Some of the most popular postcards of Paris during the 1950s and 1960s featured the black and white photography of Albert Monier. He had a special empathy for the men of the working class and those even poorer, and when people do appear in his photography, they are more likely to be homeless or extremely poor than to be nattily dressed.
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