Baron Wolman

Karen Seltenrich "Groupies", signed limited edition silver gelatin print

1970

Miss Sparky by Baron Wolman, taken in Los Angeles in 1968 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited edition number 2/150, signed and noted by Bar...

The GTO's by Baron Wolman, taken in San Francisco in 1968 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited edition number 6/150, signed and noted by Baron Wolman 11x14” hand printed silver gelatin print. The GTOs (Girls Together Outrageously) were an all-girl group from the Los Angeles area, specifically the Sunset Strip scene. Featuring Miss Pamela...

Miss Trixie by Baron Wolman, posing topless with her bass guitar, taken in San Francisco in 1968 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited editio...

The Sanchez Twins by Baron Wolman, taken in San Francisco in 1968 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited edition ...

Chuckie Star, 1974, TIME Star became the consummate LA party kid who was a sought after guest at parties. When the scene died out, he moved on along with everyone else. Star's shoes...

John Casado - Untitled 803, 1997 - Unique lith silver gelatin photographic print - 10 x 8 inches. image = 8 7/8 x 7 inches or 22.5 x 17.8 centimeters/ ppr 8 x 10 inches vertical. ...

“They will roll down the rugs or sprawl carefully on coaches. Their make-up will be perfect. They will take back the night.”  - Chi Chi Valenti, Take Back the Night Men, Women, and ...

"Moda" is one of Rosie Emerson's newest pieces from her fashion inspired photographic series. This is a photopolymer etching with embossing on paper, framed in a custom box black frame. This is an edition of 12, and each piece is slightly different because they are each hand-made. Moda, Ed 2/12 Photopolymer etching with embossing on paper, framed Artwork: 22" x 10" inches / 55 x 25 cm Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen-prints use unusual materials including charcoal powder, ash and saw dust to shift the focus of printmaking from accuracy and replication to the creation of unique, hand-finished prints with subtle texture. She explains ‘By combining photography with painting it allows me to balance energy and precision, and create something, which despite hours of planning will still surprise me in its results.’ Her recent Cyanotype works enable her to montage objects with real size photographic negatives. Using UV light from the sun to expose objects and images directly on to the sensitized surface, the works are often hand painted or gilded with gold leaf. Emerson describes ‘the technique itself has an element of magic about it, it also a wonderful discovery to be able to combine painting, collage and photography in this way’’. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...