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Barrie WentzellJimi Hendrix live 19681968
1968
About the Item
Signed limited edition silver gelatin print of Jimi Hendrix taken by Barrie Wentzell, live at the Woburn Music Festival, Woburn UK, 6th July 1968.
The July 1968 Woburn festival was the third time that Hendrix had played in Bedfordshire. In 1967 he had given a concert on 11th April at the Granada Cinema in Bedford and on 28th October at the California Ballroom in Dunstable. However, at the Woburn concert, Hendrix played to real crowds, unlike the previous year in Dunstable when he was just at the edge of his great fame and the audience was much smaller.
This Hendrix print is available in the following sizes.
16" x 20" - Edition 50
20" x 24" - Edition 50
30" x 40" - Edition 50
Prints are hand signed and numbered by Barrie Wentzell and further authenticated with his embossed studio stamp and an accompanying certificate of authenticity.
- Creator:Barrie Wentzell (1942, British)
- Creation Year:1968
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- More Editions & Sizes:20" x 24" - Edition 50Price: $2,50030" x 40" - Edition 50Price: $3,500
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU181229789932
Barrie Wentzell
Born on May 25th, 1942 in Durham, northern England, Barrie was educated in Kent and London, attending Maidstone Art School in Kent in the late 1950’s. His first job at Manhattan Displays on Greek Street in London’s Soho occupied him from 1959 to 1961, during which time he became an avid scrabble player under the tuition of author, performer, wit and philosopher, Quentin Crisp. He continued on to work at Color Applications, a photo studio in the Belgravia area of London learning photography basics from 1961 to 1962. It was then, upon meeting his soon to become mentor, photojournalist Maurice Newcombe, that he would be inspired to pursue a photographic career of his own. During the early 1960’s, Barrie began diversifying into the worlds of fashion, music and advertising. In 1965 he had a chance encounter with the young Diana Ross. The image he made of this yet-to-be global super-star became a riveting front cover of The Melody Maker, England’s most renowned music publication, which caught the attention of Bob Houston, the assistant editor at the time. Houston was to contact Barrie and sign him on as exclusive chief photographer for the paper. Barrie went on to shoot for the Melody Maker from 1965 until 1975, one of the most important decades in the history of popular music, photographing many unknown musicians who would later become legends and household names.
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