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Bernd and Hilla Becher
Vier Gasometer

1973

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Untitled
By William Wegman
Located in Toronto, Ontario
William Wegman (b. 1943) is an American photographer celebrated for his whimsical images of his beloved Weimaraner dogs. This photograph is from Wegman's "Improved Photographs" seri...
Category

1970s Conceptual Black and White Photography

Materials

Silver Gelatin

Truth Before Power
By Jenny Holzer
Located in Toronto, Ontario
Jenny Holzer (b. 1950) is a multi-disciplinary American artist best known for her text-based public art projects. She was the first woman to represent the United States at the 1990 V...
Category

Early 2000s Contemporary Black and White Photography

Materials

Digital Pigment

Waterski Jumper
By Weegee
Located in Toronto, Ontario
Arthur Felling, better known as Weegee (1899-1968) is America's premiere photojournalist and one of the last century's most influential photographers. He would become famous, beyond...
Category

1950s American Modern Black and White Photography

Materials

Silver Gelatin

Ballerina
By Weegee
Located in Toronto, Ontario
Arthur Felling, better known as Weegee (1899-1968) is America's premiere photojournalist and one of the last century's most influential photographers. He would become famous, beyond...
Category

1950s Modern Black and White Photography

Materials

Silver Gelatin

Untitled Film Still #59
By Cindy Sherman
Located in Toronto, Ontario
Since the late 1970's Cindy Sherman has donned an array of personas to explore how women are perceived and presented in Western culture. Sherman's "Untitled Film Stills...
Category

1980s Contemporary Black and White Photography

Materials

Silver Gelatin

The Emergence of a Legend
By Kent Monkman
Located in Toronto, Ontario
After establishing his name as one of the most innovative and daring Canadian figurative painters, Kent Monkman began to explore the reoccurring themes from his oeuvre in different m...
Category

Early 2000s Contemporary Portrait Photography

Materials

C Print

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"WH2" Photography 48" x 84" inch Edition 1/6 by Giuliano Bekor
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"WH2" Photography 48" x 84" inch Edition 1/6 by Giuliano Bekor From WILD HORSES series Archival exhibition Giclee Baryta print Not framed. Ships in tube. WILD HORSES series A man, it is said, never forgets a great horse, nor the horse a great man. Put the thoroughbred, the draft horse, the Lipizzaner stallion, and the wild Mustang, into the same coral, and they act as equals – no blinders, no misery, no slavery. Man, though, must harness and lash the horse. In becoming the horse – wearing his mane, strapping on his saddle, chomping on his bit – his civilized skin peels away. A terrible beast is let loose. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...
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