Betsy Kenyon

Small Framed geometric abstract black&white Unique Silver Gelatin Print "Pull"

2020

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in black frame. There is crackle texture around the circles that provides dimensionality to the work. There is no glass or acrylic covering the image so none of the texture of the work gets lost. Betsy Kenyon...

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in black frame. There is crackle texture around the circles that provides dimensionality to the work. There is no glass or acrylic covering the image so none of the texture of the work gets lost. Betsy Kenyon...

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in black frame with no glass, which allows one to see the texture of the paper and enjoy the image unobstructed. Betsy Kenyon...

"Form Worm" is a black and white unique silver gelatin print, (chemical print on fiber-based paper), in white frame. Betsy Kenyon’s work is a merging of ...

Signed, titled, editioned and dated on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includes anti-reflected Optium acrylic with frame). ...

Elepahnt by Justin Creedy Smith 2001 The legs of an elephant in the the temple area of Siem Reap (Siem Reap province, Cambodia). Photo, 02.12.2001. Exquisite giant oversize 40 ...

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark Citret, Published Custom & Limited Editions, San Francisco, 1999. Plate #23. Dimensions: Image area measures 8.25"h x 6.25"w., Frame measures 17.5 x 14.5 Mark Citret was born in 1949 in Buffalo, New York, and grew up in San Francisco. He began photographing seriously in 1968 and received both his BA and MA in Art from San Francisco State University. He has worked on many photographic projects over the course of his career and continues to do so. From 1973 to 1975 he lived in and photographed Halcott Center, a farming valley in New York's Catskill Mountains. In the mid to late 1980s, he produced a large body of work with the working title of "Unnatural Wonders", which is his personal survey of architecture in the national parks. He spent four years, 1990 to 1993, photographing "Coastside Plant", a massive construction site in the southwest corner of San Francisco. Since he moved to his current home in 1986, he has been photographing the ever-changing play of ocean and sky from the cliff behind his house. Currently, he is in the midst of a multi-year commission from the University of California San Francisco, photographing the construction of their 43 acre Mission Bay life-sciences campus. He has taught photography at the University of California Berkeley Extension since 1982 and the University of California Santa Cruz Extension since 1988, and for organizations such as the Center for Photography at Woodstock, the Ansel Adams Gallery, and Santa Fe Workshops.He was included in the Weston Gallery exhibition NIGHT VISION: PHOTOGRAPHING IN THE DARK works by: Berenice Abbott, Wynn Bullock, Mark Citret, Harold Davis, Robert Frank, Ernst Haas, Chip Hooper, Rolfe Horn, Dale Johnson, Robb Johnson, Michael Kenna, André Kertész, Bob Kolbrener, Paul Kozal, Sally Mann and Jerry Uelsmann and PATTERNS IN ARCHITECTURE works by Ansel Adams, Brett Weston, Edward Weston, Oliver Gagliani, Pirkle Jones...

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987 Silver gelatin print Sheet 25.4 x 30.5 cm (12 x 12 in.) Frame 44 x 50.5 x 3 cm (17 3/...