Bob Gruen

Sex Pistols (Johnny Rotten and Sid Vicious)

1977

Venetian Play, 1952 Silver gelatin print Estate edition of 150 Signature stamped and hand numbered with Certificate of authenticity 1952: Orson Welles (1...

Soho Waiters Race, 1955, Printed Later Waiters carrying half bottles of champagne set off on the annual waiters' race from Soho Square to Greek Street, i...

Lucky Luciano, 1949 Fiber print Estate edition of 150 Signature stamped and hand numbered with Certificate of authenticity Sicilian-born American gangst...

Venetian Play, 1952 Silver gelatin print Estate edition of 150 Signature stamped and hand numbered with Certificate of authenticity 1952: Orson Welles (1...

This is a unique original silver gelatin black-and-white photograph with framing of New York City by night, circa 1950. Features: Original Silver Gelatin Photography framed. Press Ph...

The work offered for sale here is an original vintage silver gelatin print hand created by Halsman in 1944 and exhibited at the International Center for Photography. Philippe Halsman was at one point considered the best photo-portraitist in France. He had an incessant interest in faces: “Every face I see seems to hide—and sometimes fleetingly reveal—the mystery of another human being.” Halsman’s photographs of politicians, celebrities, and intellectuals were featured widely in magazines like LIFE and Vogue. His more famous subjects included the likes of Marc Chagall, Le Corbusier, Audrey Hepburn, and Albert Einstein. He also had a 37-year collaboration with Salvador Dalí, which resulted in several famous surrealist series including the “Dalí’s Mustache” portraits...

Edward Quigley Crowd Scene, 1931 Vintage gelatin silver print Artist's stamp on the back of the photograph Frame Included Frame bears labels from: Joel Soroka Gallery, Co Ota House, CA Measurements: Frame: 13 x 11.25 x 0.5 inch Photograph: 4.5 x 3.5 inches About Edward Quigley: Edward Quigley was a leading American modernist who became known in the 1930s for his experimental photographic work with light. Quigley acquired his first camera at age twelve, joined the Photographic Society of Philadelphia in1929, and opened his own studio a year later. He supported himself with innovative advertising and editorial work published regularly in magazines such as U.S. Camera and Photographie, while winning prizes in numerous salons for his experimental light abstractions, captured with the aid of prisms and lenses to startling affect. Today, photographs by Edward Quigley are housed in the permanent collections of The San Francisco Museum of Modern Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, and the Philadelphia Museum of Art. Biography Courtesy Robert Koch Gallery

Open Edition Signed in black ink on print margin by Jesse Alexander Paper size: 20 x 14, Image size: 14 x 14 in. Jesse Alexander was considered one of the greatest race car photogra...